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  1. Portrait of Laura Dianti is a c. 1520–25 [1] painting by Titian, now held in the H. Kisters Collection at Kreuzlingen. It is signed " TICI/ANVS F. " The portrait features Laura Dianti, mistress, and later wife of the Duke of Ferrara Alfonso I d'Este and an African page.

  2. Laura Dianti. Datos principales. Autor. Tiziano Vecellio. Fecha. 1520 h. Escuela. Venecia. Estilo. Renacimiento Italiano. Material. Oleo sobre lienzo. Dimensiones. 118 x 93 cm. Museo. Colección Particular. Contenidos relacionados.

  3. en.wikipedia.org › wiki › Laura_DiantiLaura Dianti - Wikipedia

    Laura Dianti (Early sixteenth century in Ferrara [1] – 25 June 1573 in Ferrara, Italy) was a lover of Alfonso I d'Este, Duke of Ferrara after the death of his wife Lucrezia Borgia. She was probably also his third wife. [1] She was also known under the pseudonym Eustochia .

  4. This painting is a partial replica of the portrait painted by Titian in about 1523 (Kisters Collection, Kreuzlingen). The sitter, Laura Dianti (c. 1480–1573), became the lover of Alfonso I d’Este (1476–1534) after the death of his second wife, Lucrezia Borgia (1519).

  5. 9 de mar. de 2022 · Portrait of Laura Dianti is a c. 1520–25 painting by Titian, now held in the H. Kisters Collection at Kreuzlingen. It is signed "TICI/ANVS F." and depicts Laura Dianti, lover and later wife of Alfonso I d'Este.

    • Kisters Collection, Kreuzlingen, Switzerland
  6. Retrato de Laura Dianti, 1523-1525, Tiziano (Kreuzlingen, Heinz Kisters Collection) El retrato de Laura Dianti (tal vez la tercera esposa de Alfonso I d’Este), fue pintado por Tiziano en la época en que comenzó la decoración del estudio del Duque, una serie de estancias llamadas Camerini, trabajo que le llevó a efectuar varios viajes a Ferrara.

  7. Laura Dianti and a black page. c. 1524–1529. Oil on canvas. H. Kisters Collection, Kreuzlingen. Images of Black women, rather than men or children, were not common in Italian painting. Medieval images of the Queen of Sheba and her retinue occasionally showed them as Black, but that tradition did not continue in the Renaissance.