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  1. Alternative comedy came to describe an approach to stand-up comedy that was neither racist nor sexist, defining itself against more traditional comedians playing the Northern working men's clubs who often relied on jokes targeting women and minorities in a form of comedy "civil war".

  2. Alternative comedy: Differs from traditional punchline jokes which features many other forms of comedy such as observation, satire, surrealism, slapstick and improvisation.

    Genre
    Description
    Notable Examples
    Aggressive humour [1]
    Insensitive to audience sentiment by ...
    Daniel Tosh, Brendon Burns, Anthony ...
    Differs from traditional punchline jokes ...
    Tony Allen, Alexei Sayle, Mark Steel, Dan ...
    Anecdotal comedy [2]
    Named after the Greek term for anecdote, ...
    Kevin Hart, Louis C.K., Patrice O'Neal, ...
    Indirect humor derived from the comedian ...
    Andy Kaufman, Andy Samberg, Norm ...
  3. Alternative comedy is a term coined in the 1980s for a style of comedy that makes a conscious break with the mainstream comedic style of an era.

  4. 6 de oct. de 2022 · This chapter challenges narratives that have grown up around alternative comedy in the 40+ years of its existence, by showing that 1980s alternative comedyor ‘alternative cabaret’, as it was often known—was more diverse than is often remembered.

  5. Anthony Lawrence Allen (4 March 1945 – 1 December 2023) was an English comedian and writer. Known as the "godfather of alternative comedy ", Allen was one of the original alternative comedians. In May 1979, following notoriety at Speakers' Corner with his "Full-Frontal Anarchy Platform", he began to perform at The Comedy Store.

  6. 6 de oct. de 2022 · This chapter takes the form of a timeline that charts the development of alternative comedy from its precursors in 1960s and 1970s fringe theatre, to its beginnings in 1979–1980 with the opening of the Comedy Store in Soho, London, and the formation of Alternative Cabaret and the Comic Strip.

  7. 3 de ene. de 2014 · This article details the importance of the group, its techniques and the lasting influence of character-led sketch and ‘imrov’ comedy that shaped a distinctive brand of ‘alternative comedy’ in the 1970s and 1980s and that would soon dominate the comedy mainstream.