Yahoo Search Búsqueda en la Web

Resultado de búsqueda

  1. George Robinson (bapt. 20 December 1736 – 6 June 1801) was an English bookseller and publisher working in London. Robinson published The Lady's Magazine and a serial reference work, The New Annual Register, as well as fiction and non-fiction. He was also known for publishing books written by women.

  2. George Robinson (swindler), English stockbroker and swindler in the 1720s and early 1730s; George Robinson (bookseller) (1736–1801). English bookseller and publisher; George Augustus Robinson (1791–1866), builder and preacher in Australia; George W. Robinson (1814–1878), leader during the early history of the Latter Day Saint ...

  3. George Robinson (bapt. 20 December 1736 – 6 June 1801) was an English bookseller and publisher working in London. Robinson published The Lady's Magazine and a serial reference work, The New Annual Register, as well as fiction and non-fiction. He was also known for publishing books written by women. (en) rdfs:label: George Robinson (bookseller ...

  4. George Robinson (bautizado el 20 de diciembre de 1736 - el 6 de junio de 1801) fue un editor y librero inglés que trabajaba en Londres. Robinson publicó The Lady's Magazine y una obra de referencia en serie, The New Annual Register, así como ficción y no ficción.

  5. 12 de oct. de 2021 · Durante la participación de George Robinson en la segunda temporada de "Sex Education", logró interpretar a un persona que, más allá de ser visto como un joven con discapacidad, experimenta ...

    • Fernanda Carrasco
  6. Dictionary of National Biography, 1885-1900, Volume 49. Robinson, George by Henry Richard Tedder. Robinson, Hastings. →. sister projects: Wikipedia article, Wikidata item. ROBINSON, GEORGE (1737–1801), bookseller, was born at Dalston in Cumberland in 1737, and came up to London about 1755.

  7. 27 de jul. de 2015 · Through a focus on George Robinson, the radical bookseller who published both The Mysteries of Udolpho and A Journey Made in the Summer of 1794, this essay reconsiders the gendered and generic hierarchies that have shaped studies of the circulation and reception of Ann Radcliffe's work.