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Maria Luisa of Parma (Luisa Maria Teresa Anna; 9 December 1751 – 2 January 1819) was, by marriage to King Charles IV of Spain, Queen of Spain from 1788 to 1808 leading up to the Peninsular War. Her relationship with Manuel Godoy and influence over the King made her unpopular among the people and aristocrats.
This portrait of Maria Luisa of Parma, granddaughter of both King Louis XV of France and Philip V of Spain, was sent to Madrid in advance of her marriage to her first cousin, the future Carlos IV of Spain. It is exemplary of formal eighteenth-century court portraits.
Portrait of Maria Luisa of Parma. Artist. Francisco Goya. Location. National Museum of Capodimonte, Naples. Portrait of Maria Luisa of Parma is a portrait of Maria Luisa of Parma, wife of Charles IV of Spain, produced as a pendant painting to a portrait of her husband. [1]
Description. The Portrait of Queen Maria Luisa of Parma, consort of King Charles IV, is a very interesting work. While it was painted in 1789, Goya left it unfinished, later modifying it in about 1799 by updating her clothes to give her an Empire-style dress and a turban-like headdress.
La reina María Luisa, en pie y de tres cuartos ante un cortinaje verde, viste de color morado y luce un gran tocado de gasa, adornado con lazo azul y plumas blancas a la moda francesa. Pareja del Retrato de Carlos IV (P7103).
Artwork Details. Overview. Provenance. Exhibition History. References. Notes. Title: María Luisa of Parma (1751–1819), Queen of Spain. Artist: Copy after Goya (Spanish, after 1800) Medium: Oil on canvas. Dimensions: 43 1/2 x 33 1/2 in. (110.5 x 85.1 cm) Classification: Paintings.
La reina María Luisa con tontillo. 1789. Óleo sobre lienzo, 205 x 132 cm. Sala 035. Retrato de cuerpo entero de la reina María Luisa de Parma (1751-1819), esposa del rey Carlos IV (1748-1819).
