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  1. Elizabeth Murray (1940-2007) American painter known for unique shaped paintings. Exhibited at Paula Cooper, Pace. Collected by MoMA, Hirshhorn, MET & others.

    • Biography

      Elizabeth Murray (b. 1940, Chicago, IL—d. 2007, Granville,...

    • 1970's

      The Estate of Elizabeth Murray. The contents of this site,...

    • News

      Exhibition News Peter Freeby October 21, 2019 Elizabeth...

    • About Painting

      Highlights and key moments from Elizabeth Murray’s...

    • 2000's

      2000s. The final decade of Murray’s career is highlighted by...

    • 1990's

      During the 1990s, Murray departs from her involvement with...

    • Solo 1980s

      Elizabeth Murray: Recent Paintings and Drawings, Daniel...

    • 1980's

      During the 1980s, Murray completely breaks free of the...

  2. www.artnet.com › artists › elizabeth-murrayElizabeth Murray | Artnet

    Elizabeth Murray was an American abstract painter best known for her large-scale, shaped canvas works and cartoonish drawing style. View Elizabeth Murray’s 570 artworks on artnet. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices.

    • American
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  3. Elizabeth Murray (September 6, 1940 – August 12, 2007) was an American painter, printmaker and draughtsman.

    • Summary of Elizabeth Murray
    • Accomplishments
    • Biography of Elizabeth Murray

    Elizabeth Murray's paintings are fun, cartoonish, and also deadly serious in their commitment to the medium and its boundless possibilities. Murray is famous for expanding painting's dimensions by working across multiple canvasses, and fragmenting the picture plane by breaking up not only the image, but the painted object itself. Murray's work play...

    'Pastiche' is a term used to refer to a celebratory imitation of an artwork or style. Parody is a similar term, but means an imitation produced to mock. Murray's paintings often both pastiche and p...
    Unlike many of her cotemporaries, Elizabeth Murray was determined not only to paint (after one of painting's many purported deaths), but to make funpaintings. Influenced by cartoons, Murray's work...

    Childhood

    Elizabeth Murray was born in 1940 in Chicago, Illinois and grew up in Bloomington, Illinois. Her parents were Irish immigrants and her mother took care of the family, while her father worked as a lawyer. Despite her father's job and a few good early years, the family often struggled financially and experienced some bouts of brief homelessness. Murray admired her mother's artistic abilities; particularly her painted miniatures, but saw her as "a typical woman of the thirties. She didn't have t...

    Early Training and Work

    At the Institute Murray studied lithography and began to familiarize herself with the Institute's holdings. She received a traditional training in painting but what was truly impactful on her was the fact that "to get to the art school in these days, you had to walk through the museum... I gradually began to absorb the art - the masterpieces - around me." She marveled at the Picassos and the Cezannes, and was particularly interested in the work of the Surrealists and Willem de Kooning. When s...

    Mature Period

    In New York Murray painted bright, abstract works that gradually grew quite large. She visited art shops frequently, deriving inspiration from the variety of paint colors. The art world first took notice of Murray in the Whitney's 1972 painting show. Martha Tucker, then a curator at the Whitney, reviewed Murray's slides that the artist had sent her. Dakota Redwas exhibited, though it did not sell; Murray ended up trading it for dental work later on. Her first major sales came later in that ye...

    • American
    • September 6, 1940
    • Chicago, IL
    • August 12, 2007
  4. Elizabeth Murray (Chicago, Illinois, 1940 – 12 de agosto de 2007) fue una pintora, grabadora y dibujante estadounidense.

  5. 29 de abr. de 2024 · Elizabeth Murray (born Sept. 6, 1940, Chicago, Ill., U.S.—died Aug. 12, 2007, Washington county, N.Y.) was an American painter whose lively imagery and reconsideration of the rectangle as the traditional format for painting was part of a reinvigoration of that medium in the 1970s and ’80s.