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  1. Narrator: This 1965 work by Robert Morris consists of three L-beams. They're bigger than we are, but their scale is easy to relate to our bodies: their sides are eight-feet long, about the height of a door. They sit directly on the floor.

  2. 6 de dic. de 2023 · By placing two eight-foot fiberglass “L-Beams” in a gallery space (often, he showed three), Morris demonstrated that a division existed between our perception of the object and the actual object. While viewers perceived the beams as being different shapes and sizes, in actuality, they were the same shape and of equal size.

  3. Robert Morris, Untitled (L-Beams), originally plywood, later versions made in fiberglass and stainless steel, 8 x 8 x 2 feet, 1965. By placing two eight-foot fiberglass “L-Beams” in a gallery space (often, he showed three), Morris demonstrated that a division existed between our perception of the object and the actual object.

  4. Robert Morris (nacido enl 9 de febrero de 1931, Kansas City, Missouri) es un escultor americano, escritor y artista minimalista y de Land art. Es uno de los teóricos más prominentes del Minimalismo junto con Donald Judd , también ha hecho contribuciones importantes al desarrollo de la performance , el movimiento del arte procesual y el arte ...

    • American
    • Kansas City, Missouri, United States
  5. El curador Scott Rothkopf habla sobre Untitled (L-Beams) (1965) del artista Robert Morris, a la vista en la exposición Singular Visions. El enlace a este video se proporciona en la parte inferior de esta página.

  6. Robert MorrisFamous works. Added: 27 Mar, 2024. ‘Untitled (L-Beams)’ was created in 1965 by Robert Morris in Minimalism style. Find more prominent pieces of sculpture at Wikiart.org – best visual art database.

  7. He exhibited two L Beams in the seminal 1966 exhibit, "Primary Structures" at the Jewish Museum in New York. In 1967 Morris created Steam , an early piece of Land Art. By the late 1960s Morris was being featured in museum shows in America but his work and writings drew criticism from Clement Greenberg .