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  1. Harold Bloom, Shakespeare, la invención de lo humano, Anagrama, Barcelona, 2002, 862 pp. Vasto y polémico, el libro de Harold Bloom Shakespeare, la invención de lo humano aparece finalmente en español. Precedido por la fama de El canon occidental, el célebre profesor de Yale decidió embarcarse en otra empresa titánica: revisar las 38 ...

  2. 12 de ene. de 2012 · Shakespeare: The Invention of the Human is an analysis of the central work of the Western canon, and of the playwright who not only invented the English language, but also, as Bloom argues, created human nature as we know it today.

  3. 18 de abr. de 2006 · Harold Bloom. Anagrama, Apr 18, 2006 - Literary Criticism - 864 pages. En este extraordinario libro -la culminación de toda una vida consagrada a leer, enseñar y escribir sobre Shakespeare-...

  4. 18 de abr. de 2006 · Bloom sigue cada avance en la caracterización humana de los personajes, empezando con Faulconbridge, el bastardo de El rey Juan, Mercucio en Romeo y Julieta, y Bottom en El sueño de una noche de verano, y culminando con las inigualables creaciones de Falstaff, Hamlet, Yago, Cleopatra, Macbeth, Rosalinda y Lear.

  5. 1 de sept. de 1999 · Preeminent literary critic Harold Bloom leads us through a comprehensive reading of every one of the dramatist's plays, brilliantly illuminating each work with unrivaled warmth, wit, and insight. At the same time, Bloom presents one of the boldest theses of Shakespearean scholarship -- that Shakespeare not only reinvented the English ...

    • (398)
    • Harold Bloom
    • $22.28
    • Riverhead Books
  6. en.wikipedia.org › wiki › Harold_BloomHarold Bloom - Wikipedia

    William Shakespeare (1564–1616) Bloom had a deep appreciation for William Shakespeare, considering him the supreme center of the Western canon. The first edition of The Anxiety of Influence almost completely avoided

  7. Shakespeare: The Invention of the Human is a survey of the works of Shakespeare published in 1998 by literary critic Harold Bloom. Summary. Bloom provides an analysis of each of Shakespeare's 38 plays, 24 of which he believes "really are of the highest quality".