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El acmeísmo o akmismo fue una corriente literaria poética rusa que surgió en la década de 1910, durante la llamada Edad de Plata de la literatura rusa, en oposición al simbolismo ruso. La denominación, que proviene del griego άκμη, acmé, es decir, "apogeo" o "cumbre", pero también "madurez", fue adoptada por Nikolái Gumiliov y Serguéi Gorodetski.
Acmeism, or the Guild of Poets, was a modernist transient poetic school, which emerged c. 1911 or in 1912 in Russia under the leadership of Nikolay Gumilev and Sergei Gorodetsky. Their ideals were compactness of form and clarity of expression. The term was coined after the Greek word ἀκμή (akmē), i.e., "the best age of man".
Acmeist, member of a small group of early-20th-century Russian poets reacting against the vagueness and affectations of Symbolism. It was formed by the poets Sergey Gorodetsky and Nikolay S. Gumilyov. They reasserted the poet as craftsman and used language freshly and with intensity.
- The Editors of Encyclopaedia Britannica
1 de may. de 2004 · Acmeism, a school in modern Russian poetry, formed after breaking away from Russian Symbolism—then the dominant school of the country’s literary scene. Like the French Symbolists, Russian Symbolists relied on symbols as poetic devices, using them to make grand and intuitive associations in poetry.
Acmeist poetry was a Russian modernist poetic school, which emerged c. 1911 and to symbols preferred direct expression through exact images. Figures involved with Acmeism include Nikolay Gumilev, Osip Mandelstam, Mikhail Kuzmin, Anna Akhmatova, and Georgiy Ivanov. [4] [5]
Acmeism is a literary movement that emerged in the early 1910s in Russia. The movement is also referred to as the Guild of Poets. E.g. In poetry, the acmeism movement is evident through its focus on clarity, precision, and the vivid depiction of everyday life. Related terms: Realism, Dark romanticism, Neologism.
Acmeism. An early 20th-century Russian school of poetry that rejected the vagueness and emotionality of Symbolism in favor of Imagist clarity and texture. Its proponents included Osip Mandelstam and Anna Akhmatova.
