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  1. Richard Wagner's Bayreuth Festival Theatre. Nineteenth-century theatre describes a wide range of movements in the theatrical culture of Europe and the United States in the 19th century.

  2. The 20th century would bring the scenic designer an entirely new aesthetic for the world of the theatre in the form of Henrik Ibsen and Modernism. As movies replaced theatres popularity, an international aesthetic weighed in against painted scenery, scenic studios began to shrink, and scenic artists began to disappear.

  3. Howard Bay. Theatre - 19th Century, Design, Architecture: Under Napoleon, French theatre was little different from that of the 1780s, specializing in Neoclassical drama. Popular drama, as performed by what were known as “boulevard theatres,” introduced melodrama, a form that was to dominate theatre in the 19th century.

  4. This book looks at modes of performance and forms of theatre in Nineteenth-century Britain and Ireland. On subjects as varied as the vogue for fairy plays to the representation of economics to the work of a parliamentary committee in regulating theatres, the authors redefine what theatre and performance in the Nineteenth century might be.

  5. About: Nineteenth-century theatre An Entity of Type: Thing , from Named Graph: http://dbpedia.org , within Data Space: dbpedia.org Nineteenth-century theatre describes a wide range of movements in the theatrical culture of Europe and the United States in the 19th century.

  6. As a cross-disciplinary field, the intersection of nineteenth-century theatre and art has produced some intriguing work. Martin Meisel’s wide ranging account of the relationship between nineteenth-century theatre and visual culture, Realizations: Narrative, Pictorial, and Theatrical Arts in Nineteenth-Century

  7. Cite. Permissions. Share. Abstract. Music occupied an important but uneasy position in early nineteenth-century London theatre. It appeared at all types of theatres, but was constrained by repertoire laws, theatrical conventions, and long-held concerns about the suitability of music for the British character.