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Donald Judd ignored traditional craft skills in favor of an overriding system or idea. He wanted his work to suggest an industrial production line. In fact, Judd had his works made in a factory in order to obtain a perfect finish without having to rework the material.
American, 1928–1994. An influential practitioner of what would come to be called—much to his chagrin— Minimalism, Donald Judd preferred to describe his often sleek, industrially fabricated works as “specific objects,” neither painting nor sculpture as understood traditionally.
Donald Judd fue uno de los forjadores de la escultura minimalista, que definió junto con Robert Morris desde la reflexión acerca de los problemas teóricos y condiciones de percepción de la obra de arte.
Title: Untitled, 1970. Artist: Donald Judd (American, Excelsior Springs, Missouri 1928–1994 Marfa, Texas) Date: 1970. Medium: Galvanized iron and amber acrylic sheet. Dimensions: Each: 9 × 40 × 31 in. (22.9 × 101.6 × 78.7 cm) Classification: Sculpture-Conceptual Art. Credit Line: Private collection
1,646 sculptures online. Installation views. We have identified these works in the following photos from our exhibition history. From Bauhaus to Pop: Masterworks Given by Philip Johnson. Jun 6–Sep 3, 1996. 2 other works identified. How we identified these works. Licensing. Feedback. Donald Judd. Untitled. 1967.
In Untitled, Donald Judd paired an unpainted, matte-finished hollow transversal beam with painted, shiny, encased L-shaped brackets. These support elements set up a sequence of solids and voids that appears irregular but is conceived with mathematical exactitude.
Donald Judd Title Untitled Place United States (Object made in) Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.
