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Between 1919 and 1927 El Lissitzky produced a large body of paintings, prints, and drawings that he referred to by the word Proun (pronounced pro-oon), an acronym for "project for the affirmation of the new" in Russian.
- Inventing Abstraction, 1910–1925 Dec 23, 2012–Apr 15, 2013
In 2018–19, MoMA collaborated with Google Arts & Culture Lab...
- Inventing Abstraction, 1910–1925 Dec 23, 2012–Apr 15, 2013
30 de ene. de 2019 · Proun 19D (1920 or 1921), one of El Lissitzky’s best-known works, offers different frames of interpretations closely related to the historiographical record of where and how the work has been displayed since its inception.
The spectator becomes both intellectually and physically a participant in the ideal world of Proun, a concept which would culminate in Lissitzky’s Proun Rooms of 1926–1927. But again, so typical of Lissitzky is how subtle, how unobtrusive these significant details first appear.
Proun fue esencialmente la exploración de Lissitzky del lenguaje visual del suprematismo con elementos espaciales, utilizando ejes cambiantes y perspectivas múltiples; ambas eran ideas inusuales en el suprematismo.
Beat the Whites with the Red Wedge is a propaganda poster designed by El Lissitzky using the abstract visual language of Suprematism, an art movement founded by Kasimir Malevich in 1915.
Proun 19D is a Suprematist Oil on Canvas, Paper and Collage Painting created by El Lissitzky from 1920 to 1921. It lives at the MOMA, Museum of Modern Art in New York. The image is in the Public Domain, and tagged Abstract Art and Geometric Art.
6 de dic. de 2023 · Beat the Whites with the Red Wedge is a propaganda poster designed by El Lissitzky using the abstract visual language of Suprematism, an art movement founded by Kasimir Malevich in 1915. Made in support of the efforts of the Bolshevik Red Army to overcome the anti-communist White Russians, the poster creates a powerful dynamic ...
