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Mitchell Leisen (Menominee, Míchigan 6 de octubre de 1898–Los Ángeles, 28 de octubre de 1972) fue un productor, diseñador de vestuario y director de cine estadounidense.
Personal life. Though married, Leisen was reported to be gay or bisexual. According to Carolyn Roos, Leisen's longtime business manager's daughter, he had a very long relationship with dancer/actor/choreographer Billy Daniel until the 1950s (Daniel died in 1962).
YearTitleProduction Co.Cast1933Dorothea Wieck / Evelyn Venable1934George Raft / Carole Lombard1934Fredric March / Evelyn Venable1934Victor McLaglen / Jack Oakie / Carl ...8 de jun. de 2021 · Leisen was married in 1927 to Sondra Gahle, an aspiring opera singer, but the director made no secret of his non-heteronormative proclivities. He and his wife often lived in separate cities, sometimes separate continents, and some dear confidants such as Carole Lombard often called Leisen their girlfriend.
Algunas de sus películas más destacadas en la carrera de Mitchell Leisen en este período son: “Adelante, Mi Amor” (1940), con Colbert y Milland. “Recuerdo De Una Noche” (1940), su primer título como productor con Barbara Stanwyck y MacMurray como pareja protagonista.
7 de may. de 2024 · Leisen’s next two films, Behold My Wife (1934) and Four Hours to Kill! (1935), were unremarkable, though Leisen made a cameo appearance in the latter.
- Michael Barson
24 de abr. de 2019 · En este cuarto Cuaderno dedicado a Mitchell Leisen abordaremos: i) la libertad de Leisen para transitar entre los géneros; ii) los valores personalistas desarrollados en el thriller musical...
20 de oct. de 2005 · A bisexual enduring psychoanalysis and a sham marriage – plus a string of furtive affairs with young men – Mitchell Leisen in the ’30s was, outwardly, a high-toned sophisticate with a glamorous career but, inwardly, a damaged soul on a quest for impossible love.
