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El pop soul es un género musical derivado de la música soul. Las voces usadas estaban en su mayoría aún sin refinar como las de los cantantes de soul más puro, pero era música hecha para que pudiera sonar en la mayoría de emisoras de radio.
- Soul
Los subgéneros clave del soul incluyen el estilo Motown, un...
- Soul
- History
- Notable Labels and Producers
- Subgenres
- Non-Black Musicians
- See Also
- Bibliography
- Further Reading
Origins
Soul music has its roots in traditional African-American gospel music and rhythm and blues and as the hybridization of their respective religious and secular styles – in both lyrical content and instrumentation – that began in the 1950s. The term "soul" had been used among African-American musicians to emphasize the feeling of being an African-American in the United States. According to musicologist Barry Hansen, According to AllMusic, "Soul music was the result of the urbanization and commer...
1960s
Husband-wife duo Ike & Tina Turner emerged as "leading exponents" of soul music in the 1960s. Their debut single "A Fool in Love" crossed over to the pop charts in 1960. They earned a Grammy nomination for their song "It's Gonna Work Out Fine" in 1962. Along with the Kings of Rhythm and the Ikettes, they toured the Chitlin Circuitas the Ike & Tina Turner Revue. Writer Peter Guralnick is among those to identify Solomon Burke as a key figure in the emergence of soul music, and Atlantic Records...
1970s and 1980s
Mitchell's Hi Records continued in the Stax tradition of the previous decade, releasing a string of hits by Green, Ann Peebles, Otis Clay, O.V. Wright and Syl Johnson. Bobby Womack, who recorded with Chips Moman in the late 1960s, continued to produce soul recordings in the 1970s and 1980s. In Detroit, producer Don Davis worked with Stax artists such as Johnnie Taylor and the Dramatics. Early 1970s recordings by the Detroit Emeralds, such as Do Me Right, are a link between soul and the later...
Motown Records
Berry Gordy's successful Tamla/Motown group of labels was notable for being African-American owned, unlike most of the earlier independent R&B labels. Notable artists under this label were Gladys Knight & the Pips, the Supremes, the Temptations, the Miracles, the Four Tops, the Marvelettes, Mary Wells, Jr. Walker & the All-Stars, Stevie Wonder, Marvin Gaye, Tammi Terrell, Martha and the Vandellas, and the Jackson Five. Hits were made using a quasi-industrial "production-line" approach. The pr...
Stax Records and Atlantic Records
Stax Records and Atlantic Records were independent labels that produced high-quality dance records featuring many well-known singers of the day. They tended to have smaller ensembles marked by expressive gospel-tinged vocals. Brass and saxophones were also used extensively.[page needed] Stax Records, founded by siblings Estelle and James Stewart, was the second most successful record label behind Motown Records. They were responsible for releasing hits by Otis Redding, Wilson Pickett, the Sta...
Detroit
Dominated by Berry Gordy's Motown Records empire, Detroit's soul is strongly rhythmic and influenced by gospel music. The Motown sound often includes hand clapping, a powerful bassline, strings, brass and vibraphone. Motown Records' house band was the Funk Brothers. AllMusic cites Motown as the pioneering label of pop-soul, a style of soul music with raw vocals, but polished production and toned-down subject matter intended for pop radio and crossover success. Artists of this style included D...
Deep and southern
The terms deep soul and southern soul generally refer to a driving, energetic soul style combining R&B's energy with pulsating southern United States gospel music sounds. Memphis, Tennessee, label Stax Records nurtured a distinctive sound, which included putting vocals further back in the mix than most contemporary R&B records, using vibrant horn parts in place of background vocals, and a focus on the low end of the frequency spectrum. The vast majority of Stax releases were backed by house b...
Memphis
Memphis soul is a shimmering, sultry style of soul music produced in the 1960s and 1970s at Stax Records and Hi Records in Memphis, Tennessee. It featured melancholic and melodic horns, Hammond organ, bass, and drums, as heard in recordings by Hi's Al Green and Stax's Booker T. & the M.G.'s. The latter group also sometimes played in the harder-edged Southern soul style. The Hi Records house band (Hi Rhythm Section) and producer Willie Mitchelldeveloped a surging soul style heard in the label'...
The impact of soul music was manifold; internationally, white and other non-black musicians were influenced by soul music. British soul and Northern soul, rare soul music played by DJs at nightclubsin Northern England, are examples. Several terms were introduced, such as "blue-eyed soul", which is R&B or soul music performed by white artists. The m...
Adams, Michael (2008). Review of Atlantic Records: The House That Ahmet Built, by Susan Steinberg. Notes 65, no. 1.Cummings, Tony (1975). The Sound of Philadelphia.London: Eyre Methuen.Garland, Phyl (1969). The Sound of Soul: the History of Black Music. New York: Pocket Books, 1971, cop. 1969. xii, 212 p. 300 p. + p. of b & w photos.Cole, Laurence (2010). Deep Soul Ballads: From Sam Cooke to Stevie Wonder. Libri Publishing. ISBN 9781907471087El pop soul es un género musical derivado de la música soul. Las voces usadas estaban en su mayoría aún sin refinar como las de los cantantes de soul más puro, pero era música hecha para que pudiera sonar en la mayoría de emisoras de radio. [ cita requerida] Datos rápidos soul, Orígenes musicales ...
Pop soul / Motown is a genre of soul music that has upbeat tempo and given a commercially viable, crossover production. The vocals are still raw, but the material and the sound of the record could easily fit onto pop radio stations' playlists.
15 de may. de 2023 · El soul nació a finales de los años 40 en un contexto social y económico de enorme dificultad, ya que muchos países se encontraban sufriendo los estragos de la Segunda Guerra Mundial y de la...
17 de may. de 2024 · soul music, term adopted to describe African American popular music in the United States as it evolved from the 1950s to the ’60s and ’70s. Some view soul as merely a new term for rhythm and blues.
