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Donald Judd. Untitled. 1967. Not on view. Judd once wrote, “The main virtue of geometric shapes is that they aren't organic, as all art otherwise is.”. Untitled is made of rectangular metal boxes: a simple geometric form the artist favored because he felt it carried no symbolic meaning.
Donald Judd. American, 1928–1994. An influential practitioner of what would come to be called—much to his chagrin— Minimalism, Donald Judd preferred to describe his often sleek, industrially fabricated works as “specific objects,” neither painting nor sculpture as understood traditionally.
Categoría: Escultura. Año de ingreso: 1997. Nº de registro: AD00214. Donald Judd fue uno de los forjadores de la escultura minimalista, que definió junto con Robert Morris desde la reflexión acerca de los problemas teóricos y condiciones de percepción de la obra de arte.
Donald Judd. Untitled. 1967. Stainless steel. 6 1/8 x 36 1/8 x 26 1/8" (15.5 x 91.6 x 66.2 cm). Gift of Philip Johnson. 682.1971. © 2024 Judd Foundation / Artists Rights Society (ARS), New York. Painting and Sculpture.
Title: Untitled, 1970. Artist: Donald Judd (American, Excelsior Springs, Missouri 1928–1994 Marfa, Texas) Date: 1970. Medium: Galvanized iron and amber acrylic sheet. Dimensions: Each: 9 × 40 × 31 in. (22.9 × 101.6 × 78.7 cm) Classification: Sculpture-Conceptual Art. Credit Line: Private collection. Accession Number: ES.124a–j
Donald Judd. Untitled. 1965. Not on view. Date. 1965. Classification. Sculpture. Medium. Nitrocellulose lacquer on aluminum. Dimensions. Overall: 8 1/4 × 253 × 8 1/4in. (21 × 642.6 × 21 cm) Accession number. 66.53. Credit line. Whitney Museum of American Art, New York; purchase, with funds from the Howard and Jean Lipman Foundation, Inc.
Category: Sculpture. Entry date: 1997. Register number: AD00214. Donald Judd was one of the shapers of Minimalist sculpture, which he helped define along with Robert Morris from a perspective that considered the theoretical problems and conditions of perception of the artwork.
