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  1. Acoustic string instrumentations had long been a subset of popular music, particularly in folk. It stood in contrast to various other types of music in various eras, including big band music in the pre-rock era, and electric music in the rock era.

    • Folk
  2. The acoustic guitar's soundboard, or top, also has a strong effect on the loudness of the guitar. Woods that are good at transmitting sound, like spruce, are commonly used for the soundboard. [11] No amplification occurs in this process, because musicians add no external energy to increase the loudness of the sound (as would be the case with an electronic amplifier).

    • 13th century
    • 321.322, (Composite Chordophone)
  3. Una guitarra española. La música acústica es un tipo de música que solamente o primordialmente usa instrumentos que producen sonidos a través de una manera enteramente acústica, en oposición de la manera eléctrica o electrónica. El retrónimo "música acústica" apareció después del advenimiento de instrumentos eléctricos, como la ...

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    In the past, popular music tastes were dictated by music executives within large entertainment corporations. Record companies signed contracts with those entertainers who were thought to become the most popular, and therefore who could generate the most sales. These bands were able to record their songs in expensive studios, and their works then offered for sale through record store chains that were owned by the entertainment corporations, along with eventually selling the merchandise into big box retailers. Record companies worked with radio and television companies to get the most exposure for their artists. The people making the decisions were business people dealing with music as a product, and those bands who were not making the expected sales figures were then excluded from this system. Before the term alternative rock came into common usage around 1990, the sorts of music to which it refers were known by a variety of terms. In 1979, Terry Tolkin used the term Alternative Musi...

    The name "alternative rock" essentially serves as an umbrella term for underground music that has emerged in the wake of punk rock since the mid-1980s. Throughout much of its history, alternative rock has been largely defined by its rejection of the commercialism of mainstream culture, although this could be contested ever since some of the major alternative artists have achieved mainstream success or co-opted with the major labels from the 1990s onwards (especially since the new millennium and beyond). Alternative bands during the 1980s generally played in small clubs, recorded for indie labels, and spread their popularity through word of mouth. As such, there is no set musical style for alternative rock as a whole, although The New York Times in 1989 asserted that the genre is "guitar music first of all, with guitars that blast out power chords, pick out chiming riffs, buzz with fuzztone and squeal in feedback." More often than in other rock-styles since the mainstreaming of rock...


    A precursor to alternative rock existed in the 1960s with the proto-punk scene. The origins of alternative rock can be traced back to The Velvet Underground & Nico (1967) by the Velvet Underground, which influenced many alternative rock bands that would come after it. Eccentric and quirky figures of the 1960s, such as Syd Barretthave influence on alternative rock in general.


    The Dead Kennedys formed the independent record label Alternative Tentacles in 1979, releasing influential underground music such as the 1983 self-titled EP from the Butthole Surfers. By 1984, a majority of groups signed to indie labels mined from a variety of rock and particularly 1960s rock influences. This represented a sharp break from the futuristic, hyper-rational post-punk years. Throughout the 1980s, alternative rock remained mainly an underground phenomenon. While on occasion a song...

    Popularization in the 1990s

    By the start of the 1990s, the music industry was enticed by alternative rock's commercial possibilities and major labels had already signed Jane's Addiction, Red Hot Chili Peppers and Dinosaur Jr. In early 1991, R.E.M. went mainstream worldwide with Out of Timewhile becoming a blueprint for many alternative bands. The first edition of the Lollapalooza festival became the most successful tour in North America in July and August 1991. For Dave Grohl of Nirvana who caught it near Los Angeles in...

    Azerrad, Michael. Come As You Are: The Story of Nirvana. Doubleday, 1994. ISBN 0-385-47199-8.
    Azerrad, Michael. Our Band Could Be Your Life: Scenes from the American Indie Underground, 1981–1991. Little Brown and Company, 2001. ISBN 0-316-78753-1.
    Erlewine, Stephen Thomas. "American Alternative Rock/Post-Punk". AllMusic. Retrieved May 20, 2006.
    Erlewine, Stephen Thomas. "British Alternative Rock". AllMusic. Retrieved May 20, 2006.
  4. › wiki › Folk_rockFolk rock - Wikipedia

    Although Dylan's move away from acoustic folk music served to outrage and alienate much of his original fanbase, his new folk rock sound gained him legions of new fans during the mid-1960s. The popularity and commercial success of the Byrds and Bob Dylan's blend of folk and rock music influenced a wave of imitators and emulators that retroactively became known as the folk rock boom.

  5. › wiki › Pop_rockPop rock - Wikipedia

    Pop rock (also typeset as pop/rock) is rock music with a greater emphasis on professional songwriting and recording craft, and less emphasis on attitude. [5] [1] Originating in the late 1950s as an alternative to normal rock and roll , early pop rock was influenced by the beat , arrangements, and original style of rock and roll (and sometimes doo-wop ). [1]

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