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  1. El doo wop (conocido en español con el nombre onomatopéyico duduá) [1] es un estilo vocal de música nacido de la unión de los géneros rhythm and blues y góspel. [2] [3] Se desarrolló en comunidades afroamericanas de los Estados Unidos durante los años 40 y alcanzó su mayor popularidad entre los 50 y los 60. [4]

  2. en.wikipedia.org › wiki › Doo-wopDoo-wop - Wikipedia

    Doo-wop (also spelled doowop and doo wop) is a subgenre of rhythm and blues music that originated in African-American communities during the 1940s, [2] mainly in the large cities of the United States, including New York, Philadelphia, Pittsburgh, Chicago, Baltimore, Newark, Detroit, Washington, D.C., and Los Angeles.

  3. 3 de may. de 2024 · Doo-wop, style of rhythm-and-blues and rock-and-roll vocal music popular in the 1950s and ’60s. The structure of doo-wop music generally featured a tenor lead vocalist singing the melody of the song with a trio or quartet singing background harmony. The term doo-wop is derived from the sounds made.

    • Frederick Dennis Greene
  4. www.wikiwand.com › es › Doo_wopDoo wop - Wikiwand

    El doo wop (conocido en español con el nombre onomatopéyico duduá) es un estilo vocal de música nacido de la unión de los géneros rhythm and blues y góspel. Se desarrolló en comunidades afroamericanas de los Estados Unidos durante los años 40 y alcanzó su mayor popularidad entre los 50 y los 60.

  5. Doo-wop is a genre of music that was developed in African-American communities in The USA. It started in the 1940s. Doo-wop achieved mainstream popularity in the 1950s and early 1960s. Built upon vocal harmony, doo-wop was one of the most mainstream, pop-oriented R&B styles of the time.

    • 1940s–early 1960s, United States
  6. This is a list of doo-wop musicians. Contents: Top 0–9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z A The Accents The Ad Libs The Alley Cats Lee Andrews ...

  7. Doo wop was an urban style, sung on city street corners and in school hallways. Its name, derived from a type of sound singers made in their vocalizations, has been disparaged by many historians of the music, who prefer to call it “classic urban harmony” or “street-corner harmony.”.