Resultado de búsqueda
Pedro de Cosme de Médici (italiano: Piero di Cosimo de' Medici; 19 de septiembre de 1416-2 de diciembre de 1469), llamado el gotoso (il Gottoso), debido a la enfermedad que padecía. Gobernante de facto de Florencia de 1464 a 1469 durante el renacimiento italiano. Hijo de Cosme de Médici y Contessina Bardi [1] y padre de Juliano y Lorenzo.
- Piero di Cosimo - Wikipedia, la enciclopedia libre
Piero di Cosimo, o Piero di Lorenzo ( Florencia, 2 de enero...
- Piero de' Medici - Wikipedia, la enciclopedia libre
Pedro de Cosme de Médici (Piero di Cosimo de' Medici,...
- Piero di Cosimo - Wikipedia, la enciclopedia libre
Piero di Cosimo de' Medici, known as Piero the Gouty ( Italian: Piero "il Gottoso" ), (1416 – 2 December 1469) [1] was the de facto ruler of Florence from 1464 to 1469, during the Italian Renaissance . Biography. Piero was the son of Cosimo de' Medici the Elder and Contessina de' Bardi. [2] .
- 1 August 1464 – 2 December 1469
- Lorenzo de' Medici
On the other hand, Piero enjoyed a great reputation as a portrait painter: the most famous of his work is in fact the portrait of a Florentine noblewoman, Simonetta Vespucci, mistress of Giuliano de' Medici. According to Vasari, Piero excelled in designing pageants and triumphal processions for the pleasure-loving youths of Florence ...
- Italian
- Painting
Rinaldo degli Albizzi (de facto) Sucesor: Piero di Cosimo de' Medici: Información personal; Nombre completo: Cosimo di Giovanni de' Medici: Tratamiento: Padre de la patria El Viejo: Nacimiento: 27 de septiembre de 1389 Florencia, República de Florencia: Fallecimiento: 1 de agosto de 1464 (74 años) Villa medicea de Careggi, República de ...
- Cosimo di Giovanni de' Medici
- Rinaldo degli Albizzi (de facto)
- Padre de la patria, El Viejo
- Piero di Cosimo de' Medici
2 de abr. de 2024 · Renaissance art. Piero di Cosimo (born 1462, Florence [Italy]—died 1521, Florence) was an Italian Renaissance painter noted for his eccentric character and his fanciful mythological paintings. Not a member of any specific school of painting, Piero instead borrowed other artists’ techniques to create his own singular style.