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Claude Berri. Claude Berel Langmann (n. París, Francia; 1 de julio de 1934 - f. íb.; 12 de enero de 2009) fue un director y productor de cine francés. Biografía. Proveniente de una familia francesa de religión judía, su padre era peletero y su madre trabajaba en una fábrica. Desde su nacimiento vivían en París.
- Claude Berel Langmann
- Claude Langmann
Claude Berri. Pour les articles homonymes, voir Berel, Berri et Langmann . Ne doit pas être confondu avec Richard Berry . Claude Langmann, dit Claude Berri, né le 1er juillet 1934 à Paris et mort dans la même ville le 12 janvier 2009 2, est un réalisateur, scénariste, producteur de cinéma et acteur français 3 .
- Claude Beri Langmann
Claude Berri ( French: [bɛʁi]; 1 July 1934 – 12 January 2009) was a French film director, writer, producer, actor and distributor. Early life. Born Claude Beri Langmann in Paris, Berri was the son of Jewish immigrant parents. [1] . His mother, Beila (née Bercu), was from Romania, and his father, Hirsch Langmann, was a furrier from Poland. [2] .
- 1953–2008
- Arlette Langmann (sister)
Claude Berri was born on 1 July 1934 in Paris, France. He was a producer and actor, known for Jean de Florette (1986), Germinal (1993) and The Two of Us (1967). He was married to Sylvie Gautrelet and Anne-Marie Rassam. He died on 12 January 2009 in Paris, France.
- January 1, 1
- Paris, France
- January 1, 1
- Paris, France
14 de ene. de 2009 · Claude Berri, who has died of a stroke aged 74, was best known in Britain as the director of the 1986 diptych - Jean de Florette and Manon des Sources - based on the novels by Marcel Pagnol,...
- Ronald Bergan
12 de ene. de 2009 · Biography. Claude Berri (1 July 1934 – 12 January 2009) was a French film director, writer, producer, actor and distributor. Born Claude Beri Langmann in Paris, Berri was the son of Jewish immigrant parents. His mother, Beila (née Bercu), was from Romania, and his father, Hirsch Langmann, was a furrier from Poland.
Biography: life and films. I n the course of a highly productive career spanning five decades, Claude Berri would become one of the most important figures in post-WWII French cinema. His films range from lavish blockbuster epics such as Germinal (1993) to intimate low-key dramas like Un moment d'égarement (1977).
