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  1. William Lamb, II vizconde de Melbourne, miembro del Consejo Privado del Reino Unido, y de la Royal Society (15 de marzo de 1779 - 24 de noviembre de 1848), normalmente conocido como Lord Melbourne, fue un hombre de estado británico del partido Whig que sirvió como ministro del Interior o Home Secretary entre 1830-1834 y como primer ministro en 1834 y 1835-1841.

  2. William Lamb, 2nd Viscount Melbourne, PC, PC (Ire), FRS (15 March 1779 – 24 November 1848), in some sources called Henry William Lamb, was a British Whig politician who served as Home Secretary (1830–1834) and Prime Minister (1834 and 1835–1841).

    • Robert Peel
    • Whig
  3. William F. Lamb. William Frederick Lamb (21 de noviembre de 1883 - 8 de septiembre de 1952), arquitecto estadounidense, fue el diseñador principal del Empire State Building . Lamb nació en Brooklyn y estudió en el William College, la Escuela de Arquitectura de la Universidad de Columbia y la École des Beaux Arts de París.

    • Overview
    • Biography
    • Works
    • Influences and Legacy

    William Lamb RSA was a British sculptor and artist. He was a survivor of the "lost generation" who came of age in 1914, and was scarred, both mentally and physically, by the First World War. Lamb completed his training in 1915 as a right-handed artist. A war wound incapacitated his right hand, so that after the war he had to retrain as a left-hander. His urge to create was in no way diminished and his preferred medium was sculpture. Lamb's most productive period was from 1924 to 1933. As a resul

    William Lamb was born on 1 June 1893 in Montrose, Scotland. He was educated in the town and apprenticed into the family firm of monumental masons. His childhood was overshadowed by the alcoholism of his father. At an early age he became interested in art and attended evening clas

    Lamb set up a studio in Montrose in 1924. He earned a livelihood initially by print making, almost all etchings, and by drawing. Simultaneously he started to model whenever he had time or a commission. He gradually fell under the influence of Hugh MacDiarmid and the Scottish Rena

    Lamb's first major work was The Cynic, a head modelled from an apprentice in 1924. It was exhibited at the Salon in 1925 as Tȇte de Garcon. The Young Fisherman was exhibited at the Royal Academy in London and the Young Musician at the Royal Scottish Academy in Edinburgh all ...

    Between 1924 and 1929 Lamb produced more than one hundred prints for the market. They are almost all etchings. Many are derived from the sketches he made in France in 1922/23 and most of the rest are of Scottish origin. There is an almost complete collection of his known prints i

    Although William Lamb relied on his prints and water-colours for much of his livelihood, his marketing skills were non-existent. This meant that he was never able to turn his talent to much advantage, or to escape from poverty. In addition to poor marketing, the artist was posses

    William Lamb was fiercely independent and on occasion declared that his work was not subject to the influence of others. Nevertheless, influence can be detected throughout his work and, in moments of reflection he acknowledged this. Firstly Lamb was an inheritor of the Scottish E

    With the exception of his commissions and in spite of his poverty, Lamb was reluctant to sell his work and especially anything that he thought was any good. This meant that he amassed a large and representative collection of his œuvre in his Montrose studio. When he died ...

    • Sculpture
    • William Lamb, 1 June 1893, Montrose, Angus
  4. William Lamb (7 September 1835 – 23 March 1909) was an American newspaper editor, politician, businessman, and soldier, noted his role as a Confederate States Army officer in commanding the Confederate garrison at Fort Fisher at the mouth of the Cape Fear River during the Civil War.

  5. William Frederick Lamb FAIA (November 21, 1883 – September 8, 1952), was an American architect, chiefly known as one of the principal designers of the Empire State Building. Biography. Lamb joined the New York architecture firm Carrère & Hastings in 1911, shortly after returning from Paris, where he earned a diploma at the École des Beaux-Arts.