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  1. Catherine Ann Keener ( Miami, Florida, 23 de marzo de 1959) es una actriz estadounidense, nominada a los Premios Óscar en dos ocasiones. Juventud y formación. Nació en Miami, Florida. Es la tercera de 5 hermanos, hija de Evelyn y Jim Keener. Ella es de origen irlandés por parte de su padre y libanés por parte de su madre.

    • Catherine Ann Keener
    • Estadounidense
  2. Catherine Ann Keener (born March 26, 1959) is an American actress. She has portrayed disgruntled and melancholic yet sympathetic women in independent films, as well as supporting roles in studio films.

  3. Catherine Keener is an American actress, Oscar-nominated for her roles in the independent films Being John Malkovich (1999) and Capote (2005). Acclaimed in her community for her quirky roles in independent film and mainstream such as The 40-Year-Old Virgin (2005) , Keener got her start as a casting director in New York City.

    • January 1, 1
    • 1.77 m
    • Miami, Florida, USA
  4. Biography. Catherine Keener. Jump to Edit. Overview. Born. March 26, 1959 · Miami, Florida, USA. Birth name. Catherine Ann Keener. Height. 5′ 9½″ (1.77 m) Mini Bio. Catherine Keener is an American actress, Oscar-nominated for her roles in the independent films Being John Malkovich (1999) and Capote (2005).

    • March 26, 1959
  5. An American Crime is a 2007 American crime drama film directed by Tommy O'Haver and starring Elliot Page [a] and Catherine Keener. The film is based on the true story of the torture and murder of Sylvia Likens by Indianapolis single mother Gertrude Baniszewski. It premiered at the 2007 Sundance Film Festival. [1]

    • Christine Vachon, Jocelyn Hayes, Henry Winterstern, Kevin Turen, Hans C. Ritter
  6. Starring Clive Owen, Catherine Keener, Jason Clarke, Liana Liberato, and Viola Davis, the film follows a fourteen-year-old girl who becomes a victim of sexual abuse after meeting a man posing as a teenage boy on an online chat room.

  7. Catherine Ann Keener (born March 26, 1959) is an American actress. She has portrayed disgruntled and melancholic yet sympathetic women in independent films, as well as supporting roles in studio films.