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  1. Hugo Riesenfeld (January 26, 1879 – September 10, 1939) was an Austrian-American composer. As a film director, he began to write his own orchestral compositions for silent films in 1917, and co-created modern production techniques where film scoring serves an integral part of the action.

  2. Hugo Riesenfeld (January 26, 1879 – September 10, 1939) was an Austrian-American composer. As a film director, he began to write his own orchestral compositions for silent films in 1917, and co-created modern production techniques where film scoring serves an integral part of the action.

  3. Hugo Riesenfeld war ein österreichisch-US-amerikanischer Filmkomponist. Als Kinodirektor begann er 1917 eigene Orchesterkompositionen für Stummfilme zu schreiben und war somit Mitbegründer der modernen Filmmusik, die eine der Handlung angemessene, eigene Komposition darstellt. Riesenfeld komponierte in seiner Karriere etwa 100 ...

  4. Mini Bio. From 1917-1925 Hugo Riesenfeld was the manager of the Rivoli, Rialto and Criterion Theatres in New York City. A conductor and violinist, Riesenfeld was educated at the Conservatory of Music in Vienna and the University of Vienna. He then conducted with the Imperial Opera House in Vienna.

    • January 26, 1879
    • September 10, 1939
  5. Biography. From Wikipedia, the free encyclopedia. Hugo Riesenfeld (January 26, 1879 – September 10, 1939) was an Austrian-American composer. As a film director, he began to write his own orchestral compositions for silent films in 1917, and co-created modern production techniques where film scoring serves an integral part of the action.

  6. Returning to Los Angeles, Murnau spent the winter editing the film and used the last of his money to hire Hugo Riesenfeld for the music scoring. The distribution rights were sold to Paramount for five years for a sum of $75,000, which helped Murnau pay off Flaherty. Release and reception

  7. Hugo Riesenfeld (January 26, 1879 – September 10, 1939) was an Austrian-American composer. As a film director, he began to write his own orchestral compositions for silent films in 1917, and co-created modern production techniques where film scoring serves an integral part of the action.