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Electric blues is blues music distinguished by the use of electric amplification for musical instruments. The guitar was the first instrument to be popularly amplified and used by early pioneers T-Bone Walker in the late 1930s and John Lee Hooker and Muddy Waters in the 1940s.
- Blues eléctrico
El blues eléctrico corresponde a un género de música blues...
- List of electric blues musicians
The following is a list of electric blues musicians. The...
- Blues eléctrico
El blues eléctrico corresponde a un género de música blues distinguido por el uso de guitarra eléctrica, bajo y armónica. El blues eléctrico suele enmarcarse dentro de varios subgéneros de blues, como el Chicago blues , Texas blues y el Memphis blues .
The following is a list of electric blues musicians. The electric blues is a type of blues music distinguished by the amplification of the guitar, the bass guitar, and/or the harmonica and other instruments. Electric blues is performed in several regional subgenres, such as Chicago blues, Texas blues, Delta blues and Memphis blues.
De Wikipedia, la enciclopedia encyclopedia. El blues eléctrico corresponde a un género de música blues distinguido por el uso de guitarra eléctrica, bajo y armónica. El blues eléctrico suele enmarcarse dentro de varios subgéneros de blues, como el Chicago blues, Texas blues y el Memphis blues.
Electric blues used electric guitars, double bass (gradually replaced by bass guitar), drums, and harmonica (or "blues harp") played through a microphone and a PA system or an overdriven guitar amplifier. Chicago became a center for electric blues from 1948 on, when Muddy Waters recorded his first success, "I Can't Be Satisfied".
- 1860s, Deep South, U.S.
Electric Blues is an eclectic genre that embraces just about every kind of blues that can be played on an amplified instrument.
29 de nov. de 2012 · Turning Up The Volume On The Electric Blues A new 12-disc compilation traces the history of electric blues from its inauspicious start through its heyday in the 1950s and '60s. Critic Ed...
