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  1. Marco Edward Beltrami ( Long Island, 7 de octubre de 1966) es un compositor estadounidense, más conocido por su trabajo realizando bandas sonoras instrumentales de películas de terror como Mimic (1997), The Faculty (1998), Resident Evil (2002), Don't Be Afraid of the Dark (2011), The Woman in Black (2012) y Carrie (2013).

    • Estadounidense
    • Compositor y compositor de bandas sonoras
    • Marco Edward Beltrami
  2. Marco Beltrami (born October 7, 1966) is an American composer, conductor, and pianist, best known for his film and television scores. Beltrami has worked in a number of genres, including horror ( Scream, Mimic, The Faculty, Resident Evil, The Woman in Black, Carrie, A Quiet Place, and The Nun II ), action ( Terminator 3: Rise of the ...

  3. About Marco - Marco Beltrami. MARCO BELTRAMI is a two-time Oscar nominated composer. He has collaborated with many iconic film directors including Kathryn Bigelow, James Mangold, Bong Joon-ho, Angelina Jolie, Robert Rodriguez, Luc Besson, Guillermo Del Toro, Wes Craven, Alex Proyas, Jonathan Mostow, Roland Joffé, Jodie Foster, David E. Kelley ...

  4. This is the official website for Oscar-nominated composer Marco Beltrami, known for his work on 3:10 to Yuma, The Hurt Locker, Hellboy, Scream, Logan, Live Free or Die Hard, and more.

  5. Marco Edward Beltrami es un compositor estadounidense, más conocido por su trabajo realizando bandas sonoras instrumentales de películas de terror como Mimic (1997), The Faculty (1998), Resident Evil (2002), Don't Be Afraid of the Dark (2011), The Woman in Black (2012) y Carrie (2013).

  6. Marco Beltrami was born on 7 October 1966 in New York City, New York, USA. He is a composer and producer, known for I, Robot (2004), Knowing (2009) and World War Z (2013).

  7. Marco Beltrami has brought new dimensionality to the scoring of suspense and horror in the cinema, yet his quixotic progress through many genres of film music reflects more than mere creative restlessness.In coming to film music, Beltrami sought to escape from the late 19th century harmonies and melodies that the immigrant Hollywood composers of the early 20th Century brought with them from ...