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Aaron Richard Baskin (born December 1, 1948) is an American film composer and producer, best known as the musical director and producer of the Academy Award winning soundtrack for the Robert Altman film Nashville, and other creative film scores in the 1970s and 1980s.
- Aaron Richard Baskin, December 1, 1948 (age 74), Pasadena, California, US
- Barbra Streisand (1983–1987)
Aaron Richard Baskin (born December 1, 1948) is an American film composer and producer, best known as the musical director and producer of the Academy Award winning soundtrack for the Robert Altman film Nashville, and other creative film scores in the 1970s and 1980s.
Mini Bio. Richard Baskin was born on December 1, 1948 in Pasadena, California, USA. He is a composer and director, known for Nashville (1975), Welcome to L.A. (1976) and Rock 'n' Roll Hotel (1983).
- December 1, 1948
Richard Baskin was born on 1 December 1948 in Pasadena, California, USA. He is a composer and director, known for Nashville (1975), Welcome to L.A. (1976) and Rock 'n' Roll Hotel (1983).
- January 1, 1
- Composer, Music Department, Director
- Pasadena, California, USA
- Richard Baskin
Richard Baskin, the film's musical supervisor, wrote several of the songs performed in the film. He has a cameo as Frog, a session musician , appearing in several scenes. Merle Kilgore as Trout, the owner of a club that has an open-mic talent night that gives Sueleen Gay what she believes is her big break as a singer.
Welcome to LA is a moody romantic Le Ronde, written and directed by Alan Rudolph and produced by Robert Altman. Based on Richard Baskin's song suite, "City of the One Night Stands", Rudolph crafted a bittersweet story of interconnected, but disconnected souls in LA. Rudolph and Baskin met in 1975 while working on Robert Altman's classic, Nashville.
7 de jul. de 2010 · I didn't know it at the time, but 35 years ago the course of my life was set into motion. It began, no doubt, the previous summer with Roman Polanski's "Chinatown," followed the next June by Robert Altman's "Nashville." If those two movies -- seen at the impressionable ages of 16 and 17 -- don't thoroughly transform your world, then I don't ...
