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Amiri Baraka (Newark, 7 de octubre de 1934 − Newark, 9 de enero de 2014), [1] [2] [3] [4] fue un poeta, escritor y crítico musical marxista-leninista. En su poema de 1967, Black People! , instó a los afroestadounidenses a amotinarse y saquear, concluyendo: «Debemos construir lo nuestro, nuestro propio mundo, sí, y no es posible ...
- 9 de enero de 2014 (79 años), Newark (Estados Unidos)
- Imamu Amear Baraka
- Everett LeRoi Jones
Amiri Baraka (born Everett Leroy Jones; October 7, 1934 – January 9, 2014), previously known as LeRoi Jones and Imamu Amear Baraka, [1] was an American writer of poetry, drama, fiction, essays, and music criticism. He was the author of numerous books of poetry and taught at several universities, including the University at Buffalo ...
Amiri Baraka (born October 7, 1934, Newark, New Jersey, U.S.—died January 9, 2014, Newark) was an American poet and playwright who published provocative works that assiduously presented the experiences and suppressed anger of Black Americans in a white-dominated society.
- The Editors of Encyclopaedia Britannica
2 de abr. de 2014 · Amiri Baraka is an African American poet, activist and scholar. He was an influential Black nationalist and later became a Marxist. Updated: Jul 7, 2020. (1934-2014) Who Was Amiri Baraka?...
1 de mar. de 2024 · De Wikipedia, la enciclopedia libre. Amiri Baraka ( Newark, 7 de octubre de 1934 − Newark, 9 de enero de 2014 ), fue un poeta, escritor y crítico musical marxista-leninista. En su poema de 1967, Black People!, instó a los afroestadounidenses a amotinarse y saquear, concluyendo: «Debemos construir lo nuestro, nuestro propio mundo ...
Blues People: Negro Music in White America is a seminal study of Afro-American music (and culture generally) by Amiri Baraka, who published it as LeRoi Jones in 1963. [1] . In Blues People Baraka explores the possibility that the history of black Americans can be traced through the evolution of their music.
Dutchman is a play written by playwright Amiri Baraka, then known as LeRoi Jones. Dutchman was first presented at the Cherry Lane Theatre in Greenwich Village, New York City, in March 1964 co-produced by Rita Fredricks. The play won an Obie Award; it shared this distinction with Adrienne Kennedy's Funnyhouse of a Negro. [1]
