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Ellington returned to work for his father playing alto horn in 1950, and then as general manager and copyist from 1955 until 1959. In 1960, Ellington became Della Reese's musical director, then later went on take a job as a radio DJ in New York for three years beginning in 1962.
Merce Ellington compuso para su padre desde 1940 hasta 1941, y más tarde trabajó como road manager para la orquesta de Cootie Williams (1941 hasta 1943 y de nuevo en 1954). Volvió a trabajar para su padre tocando la trompa tenor en 1950, y luego como director general y copista desde 1955 hasta 1959. [3]
11 de mar. de 2022 · Durante esa época, Ellington también compuso para su padre, y más tarde, trabajó como road manager para la orquesta de Cootie Williams (1941 hasta 1943 y de nuevo en 1954). Volvió a trabajar para su padre tocando la trompa tenor en 1950, y luego como director general y copista desde 1955 hasta 1959.
9 de ene. de 2022 · The Chronological Duke Ellington: 1949-1950. Topics. jazz, complete, recordings, 1940s, 1950s. The complete commercial studio recordings of Duke Ellington. Recordings made between September 1, 1949 and September 21, 1950. Addeddate. 2022-01-09 02:56:52. Identifier. the-chronological-duke-ellington-1949-1950. Scanner.
From 1950 to 1952, young Ellington operated his own company, Mercer Records; in 1954 he was with the trumpeter Cootie Williams as a sideman and band manager. From 1955 to 1959 he was the chief assistant to his father, and in the 1960s, Mercer led the Duke Ellington band and
10 de feb. de 1996 · Mercer Ellington had been in the band's trumpet section since 1965 and, although he had led his own band in the recording studios as early as 1958, he had none of the musical genius and...
10 de feb. de 1996 · He started managing groups in the mid-1950's, including the orchestra of Cootie Williams, who had left Duke Ellington's band; a decade later, he took over the managerial role for the Duke...
