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One of the greatest films about film ever made, Federico Fellini’s 8½ marks the moment when the director’s always-personal approach to filmmaking fully embraced self-reflexivity, pioneering a stream-of-consciousness style that darts exuberantly among flashbacks, dream sequences, and carnivalesque reality, and turning one man’s artistic crisis into a grand epic of the cinema. Marcello ...
One of the greatest films about film ever made, Federico Fellini’s 8½ marks the moment when the director’s always-personal approach to filmmaking fully embraced self-reflexivity, pioneering a stream-of-consciousness style that darts exuberantly among flashbacks, dream sequences, and carnivalesque reality, and turning one man’s artistic crisis into a grand epic of the cinema. Marcello ...
The legendary Italian actress—currently being fêted at MoMA—as seen by the poster artists of the ’60s and ’70s. The latest round-up of the most popular posters on Movie Poster of the Day on Instagram. The key to the timeless charm of Fellini’s cinema lies in its youthfulness, and the inextinguishable joy of being it celebrates.
12 de ene. de 2010 · 8½: a bizarre and puzzling title, but one precisely appropriate for this film, which announces in its first frame that modernism has reached the cinema. If the mark of modernism in art is self-reference, 8½ surely goes beyond any predecessor in having itself as its subject. By 1963, Federico Fellini had made, by his count, seven and a half films. Hence 8½ is like an opus number: this is ...
15 de may. de 2015 · 8½, his memoir of his illness, is replete with reveries; Fellini much admired Carl Jung, and it shows. One reason why he cast his wife in his films was Masina’s magical “gift of evoking a ...
8½. Directed by Federico Fellini • 1963 • Italy. Marcello Mastroianni plays Guido Anselmi, a director whose new project is collapsing around him, along with his life. One of the greatest films about film ever made, Federico Fellini's 8 1/2 (Otto e mezzo) turns one man's artistic crisis into a grand epic of the cinema.
8½ (1963) Federico Fellini’s portrait of the film director as harried ringmaster and unreliable dreamer, spinning gold from his memories and fantasies. Federico Fellini triumphantly conjured himself out of a bad case of creative block with this autobiographical magnum opus about a film director experiencing creative block.
