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  1. Alexander Ivanovich Vvedensky (Russian: Алекса́ндр Ива́нович Введе́нский; 6 December 1904 – 19 December 1941) was a Russian poet and dramatist with formidable influence on "unofficial" and avant-garde art during and after the times of the Soviet Union.

    • Poet, dramatist, writer
    • Modernism
  2. Alexandr Ivanovich Vvedensky ( en ruso : Александр Иванович Введенский ; 30 de agosto de 1889 - 26 de julio de 1946) fue uno de los líderes del movimiento de la Iglesia Viva (Живая Церковь, también conocida como la Iglesia Renovacionista, Обновслечч ) Iglesia ortodoxa de 1922 a 1946 para ...

  3. 20 de dic. de 2012 · Alexander Ivanovich Vvedensky (Russian: Александр Иванович Введенский) was one of the leaders of the schismatic Living Church movement (Живая Церковь, also known as the Renovationist Church, Обновленческая Церковь), a reformed Orthodox church set up in the early Soviet Union by the Bolshevik government after it confiscated all the property of th...

  4. Alexander or Alexandr Ivanovich Vvedensky (Russian: Александр Иванович Введенский; August 30, 1889 – July 26, 1946) was one of the leaders and ideologues of the Renovationism, a reform movement inside the Russian Orthodox Church during the Soviet Union.

  5. Alexander Vvedensky. [Russia/USSR] 1904-1942. Born in St. Petersburg in 1904, Alexander Vvedensky grew up with a mother who was a gynecologist and a father who was an economist. From 1917 to 1921 he attended high school, meeting Leonid Lipavsky and Iakov Drusky, who would become the major philosophers in his circle.

  6. 12 de feb. de 2020 · Alexander Vvedensky (1904–1941) was a poet and dramatist, a legendary figure of Leningrad culture, a principal member of the OBERIU group, Union of Real Art, founded in 1928. Together with Velimir Khlebnikov, Vladimir Mayakovsky and Andrey Platonov, Vvedensky is one of the most radical innovators of the Russian language.

    • Keti Chukhrov
    • 2019
  7. Alexander Vvedensky was a Russian poet, playwright, and a key figure of the Russian avant-garde in the early 20th century. He was a member of the OBERIU group, which sought to create an absurd, non-linear form of literature that defied traditional narrative structures.