Yahoo Search Búsqueda en la Web

Resultado de búsqueda

  1. 6 de may. de 2024 · Anna Magnani (born March 7, 1908, Rome, Italy—died September 26, 1973, Rome) was an Italian actress, known for her forceful portrayals of earthy, working-class women. She won the Academy Award for best actress for her performance in The Rose Tattoo (1955).

    • The Editors of Encyclopaedia Britannica
  2. 30 de abr. de 2024 · How Anna Magnani became the face of Italian neorealism. The groundbreaking Italian neorealist films of the 1940s were centred around ordinary people. No movie stars required. Yet it was a movie star that came to embody their earthy grit: the force of nature Anna Magnani. 30 April 2024. By Chloe Walker. Bellissima (1951)

  3. 28 de abr. de 2024 · Es, con Sofia Loren y Anna Magnani, una de las actrices latinas más laureadas de todos los tiempos. He aquí una española de la que se hablará por los siglos de los siglos. Este domingo 28 de...

  4. Hace 2 días · Chloe Walker, “ How Anna Magnani became the face of Italian neorealism,” BFI, 30 April 2024. ↩; In this project, though Monicelli decided to pair Magnani and Totò, the director allowed the actress to choose her other collaborator. Magnani invited Paul Newman on board, yet due to his busy shooting schedule, she then brought in Ben Gazzara.

  5. 15 de may. de 2024 · In this brief sentence, Shipman perfectly encapsulates the impact that Roberto Rossellini’s film had on the world: it startled audiences with its apparent naturalism, made international stars of Rossellini and lead actor Anna Magnani, and played the key role in launching Italian neorealism as an idea.

  6. 30 de abr. de 2024 · First came the movie stars. Ava Gardner and her husband Sinatra, Shirley MacLaine, and Anna Magnani were all among the luminaries who crossed Bricktop’s threshold.

  7. 26 de abr. de 2024 · Al igual que lo fue Anna Magnani en la obra maestra de Rossellini: Roma, città aperta, Delia nos mostrará los escombros del fascismo y el deseo de reconstrucción. En vísperas de alcanzar el referéndum constitucional, Cortellesi se sumerge en un lugar común del cine italiano.