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Энн Изабелла Ноэль Байрон, 11-я баронесса Уэнворт, баронесса Байрон (англ. Anne Isabella Noel Byron, 11th Baroness Wentworth and Baroness Byron; 17 мая 1792 — 16 мая 1860), известна также под именем Аннабелла — жена поэта Джорджа Байрона (лорда Байрона).
It has been written of Anne Isabella, Lady Noel-Byron (1792–1860) that she “managed to quarrel with practically everyone for whom she undertook any philanthropy and certainly does not emerge from any examination of her good works without the conclusion being drawn that her unrecognized motive was to dominate.”1 That may be so.
Señora Byron. Anne Isabella Noel Byron, undécima baronesa Wentworth y baronesa Byron ( de soltera Milbanke; 17 de mayo de 1792 - 16 de mayo de 1860), apodada < b>Annabella y comúnmente conocida como Lady Byron, fue una reformadora educativa y filántropa que estableció la primera escuela industrial en Inglaterra y fue una abolicionista activa.
Lady Byron. Anne Isabella [Annabella] Noel [née Milbanke], suo jure Baroness Wentworth and Lady Byron (1792-1860) philanthropist and wife of the poet Lord Byron. She lived at Moore Place in Esher from 1841 to 1852. Having met Byron in 1812, the year he became famous, she rejected his first marriage proposal, but accepted his second proposal in ...
Stående på höjden av sin popularitet, gifte sig Byron 1815 med Lady Anne Isabella Milbanke, en rik arvtagerska. Oförenlighet i lynnen och åsikter (kort efter bröllopet lär hon till exempel ha frågat honom när han skulle lägga bort sin fula vana att skriva vers ) bildades snart emellan dem en spricka, som vidgades genom hans förstörda ekonomi och hennes svartsjuka .
Anne Isabella Byron formerly Milbanke. Born 17 May 1792 in Elemore Hall, Pittington, Durham, England. Ancestors. Daughter of Ralph Milbanke MP and Judith Noel. [sibling (s) unknown] Wife of George Gordon Byron — married 2 Jan 1815 in Seaham Hall, County Durham, England. Descendants.
For FW23, Anne Isabella draws inspiration from the natural kaleidoscope of shells and fossils, the spiraling forms and rhythmic pigmentations, to further her exploration of optics and illusions. Through print, texture, and process, the dynamics of time and its—perfectly, imperfect—effects on these natural symmetries and palettes are captured.
