Yahoo Search Búsqueda en la Web

Resultado de búsqueda

  1. Magdalena of Austria (German: Magdalena von Österreich; 14 August 1532 – 10 September 1590) was a co-founder and first abbess of the Ladies' Convent of Hall (Haller Damenstift), born an archduchess of Austria from the House of Habsburg as the daughter of Ferdinand I, Holy Roman Emperor.

  2. Maria Maddalena of Austria (German: Maria Magdalena von Österreich, Italian: Maria Maddalena d'Austria) (7 October 1589 – 1 November 1631) was Grand Duchess of Tuscany by her marriage to Cosimo II in 1609 until his death in 1621.

  3. Archduchess Maria Magdalena of Austria. Maria Magdalena of Austria (Maria Magdalena Josefa Antonia Gabriela; [1] 26 March 1689 – 1 May 1743) was a governor of Tyrol [2] and daughter of Leopold I, Holy Roman Emperor and his third wife Eleonor Magdalene of the Palatinate-Neuburg. She died unmarried.

  4. 9 de mar. de 2022 · The Archduchess Magdalena, born in 1532, was the fourth daughter among the fifteen children of Emperor Ferdinand I. The children were instructed in the Catholic faith from an early age. Magdalena’s mother, Anne of Bohemia and Hungary, entrusted her and several of her sisters to a governess, the devout Countess Thurn.

    • Eduard Habsburg
  5. 1609 - 1610. Óleo sobre lienzo, 218 x 140 cm. No expuesto. Como propuso Langedijk (1983) y recientemente ha corroborado Puerto Mendoza (2023), la retratada es la archiduquesa María Magdalena de Austria-Estiria (1589-1631), esposa de Cosme II de Medici desde 1608, con cuyo retrato en el Museo del Prado éste hace pareja ( P000007 ).

  6. 8 de dic. de 2023 · English: Maria Magdalena of Austria, Grand Duchess of Tuscany, daughter of Charles II, Archduke of Austria and Ruler of Inner Austria, and Maria of Bavaria. She become in 1608 the wife of Duke Cosimo II de' Medici of Tuscany, mother of Duke Ferdinando II de' Medici of Tuscany.

  7. 22 de feb. de 2019 · The principal source of information about this experience and the plays per formed by the English Comedians at Graz is the so-called "theatre letter" of the Archduchess Maria Magdalena (subsequently referred to in this paper as Magdalena).