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She’s described as the most celebrated female artist of the 17th-century but Baroque artist Artemisia Gentileschi (1593–1656) struggled to carry this accolade through to the modern era. Though she is greatly revered by today’s artistic establishment, her journey towards acceptance has not been uncomplicated. Undeniably due to her gender, her legacy has faced many obstacles […]
Róma. A Wikimédia Commons tartalmaz Artemisia Gentileschi témájú médiaállományokat. Artemisia Gentileschi ( Róma, 1593. július 8. – Nápoly, 1654. január 31. után) a legismertebb olasz festőművésznő a barokk korai korszakából, Caravaggio egyik legjobb követője.
2 de dic. de 2019 · Artemisia Gentileschi (July 8, 1593–date unknown, 1653) was an Italian Baroque painter who worked in the Caravaggist style. She was the first female painter admitted to the prestigious Accademia de Arte del Disegno. Gentleschi's art is often discussed in connection to her biography: she was raped by an artist colleague of her father and she ...
2 de jun. de 2021 · Born in Rome in 1593, Artemisia was brought up by her father, the painter Orazio Gentileschi. She trained alongside her three brothers in his workshop, where she proved the most talented of all his children. At the age of only 17, Artemisia was raped by the painter Agostino Tassi. There followed an infamous trial in 1612, in which Artemisia was ...
Self Portrait as a Lute Player (c. 1615-18) by Artemisia Gentileschi Wadsworth Atheneum Museum of Art. Artemisia led an isolated life in her early years. Her mother had died when she was twelve and she was effectively confined to home. There was no question of her frequenting artists' studios, except for her father's.
Artemisia je naslikala mnoge kvalitetne ženske likove u kompozicijama mitološke i religiozne tematike, kao što su: Judita ubija Holoferna, Magdalena pokajnica, Rođenje Ivana Krstitelja, i dr. Njezina slika „ Judita ubija Holoferna ” odiše baroknim zanimanjem za nasilje prikazujući temu iz Knjige o Juditi iz Starog zavjeta .
13 de feb. de 2020 · Artemisia Gentileschi was an artist who knew the pitfalls of being a woman. As she wrote to her patron, Antonio Ruffo, in 1649, “I fear that before you saw the painting you must have thought me ...
