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Barbara Villiers, born in 1640, was the daughter of William Villiers, Viscount Grandison, a royalist who died in 1643 of wounds received in the Civil War. In 1659 she married Roger Palmer, a lawyer, during an affair with Philip Stanhope, second Earl of Chesterfield, who in January 1660 had to leave England after killing an adversary in a duel
Although this miniature has been linked to the unfinished sketch of Barbara Villiers, Countess of Castlemaine in the Royal Collection (420109), differences between the tilt of the head and the type of hairstyle shown in each make it likely that they derive from separate sittings given to Samuel Cooper. Samuel Pepys, a keen admirer, later recorded how I glutted myself with looking at her when ...
15 de jul. de 2011 · La amante pobre, Barbara Villiers (1640-1709) Retrato de Barbara Villiers, Henri Gascar. Wikimedia Commons. Barbara Villiers ascendió desde una familia noble arruinada al lecho del rey que trajo la Restauración monárquica a Inglaterra. La duquesa de Cleveland fue una de la larga lista de amantes del alegre monarca, al que dio cinco hijos.
Barbara Villiers was Charles II's principal mistress between 1660 and 1670 and the most powerful woman at court. She devoted much energy to public demonstrations of the king's favour through displays of jewels and wealth. She was painted frequently by Lely, who described her beauty as ‘beyond the compass of art’. Cat. 57
Barbara Villiers, Duchess of Cleveland, daughter of William Villiers, 2nd Viscount Grandison, first met Charles II during his exile in The Hague, and had become his mistress by May 1660. She bore the king six children and was created Duchess of Cleveland in 1670 before being supplanted in Charles II's affections by the Duchess of Portsmouth.
10 de feb. de 2023 · The most powerful woman in England: Barbara Villiers. Though only 23 herself, Barbara was a pro at the machinations of court. By June 1663, she had borne two of the King’s illegitimate children and was pregnant with their third.
This chapter examines two portraits of Barbara Villiers, Countess of Castlemaine, Duchess of Cleveland (1641–1709), and one of Charles II’s numerous mistresses. Painted between 1660 and 1668 by Sir Peter Lely, the portraits functioned as important sites for self-presentation in early modern England.
