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New Historicism, a form of literary theory which aims to understand intellectual history through literature and literature through its cultural context, follows the 1950s field of history of ideas and refers to itself as a form of cultural poetics. It first developed in the 1980s, primarily through the work of the critic Stephen Greenblatt, and ...
Art criticism is the discussion or evaluation of visual art. [1] [2] [3] Art critics usually criticize art in the context of aesthetics or the theory of beauty. [2] [3] A goal of art criticism is the pursuit of a rational basis for art appreciation [1] [2] [3] but it is questionable whether such criticism can transcend prevailing socio-political circumstances.
Criticism and self-criticism ( Russian: Самокритика, Samokritika; Chinese: 自我批评, Zìwǒ pīpíng; Vietnamese: Tự phê bình) is a philosophical and political concept developed within the ideology of Marxism–Leninism and Maoism. [1] The concept would be a major component of the political philosophy of Chinese Marxist ...
1 de oct. de 1990 · Alan Durant; Robert Stam, Subversive Pleasures: Bakhtin, Cultural Criticism, and Film, Screen, Volume 31, Issue 3, 1 October 1990, Pages 334–340, https://d
Historical criticism (also known as the historical-critical method or higher criticism) is a branch of criticism that investigates the origins of ancient texts in order to understand "the world behind the text" [1] and emphasizes a process that "delays any assessment of scripture’s truth and relevance until after the act of interpretation has ...
Interculturalism. Interculturalism is a political movement that supports cross-cultural dialogue and challenging self-segregation tendencies within cultures. [1] Interculturalism involves moving beyond mere passive acceptance of multiple cultures existing in a society and instead promotes dialogue and interaction between cultures. [2]
Reader-response criticism argues that literature should be viewed as a performing art in which each reader creates their own, possibly unique, text-related performance. The approach avoids subjectivity or essentialism in descriptions produced through its recognition that reading is determined by textual and also cultural constraints.
