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2 de may. de 2017 · The Düsseldorf School of Photography 05/02/2017 May 2, 2017. The best-known exponents of the Düsseldorf School of Photography include Andreas Gursky, Candida Höfer and its founders, ...
Movement. Düsseldorf School of Photography. Thomas Ruff (born 10 February 1958) is a German photographer who lives and works in Düsseldorf, Germany. He has been described as "a master of edited and reimagined images". [1] Ruff shares a studio on Düsseldorf's Hansaallee, with fellow German photographers Laurenz Berges, Andreas Gursky and Axel ...
Tranvías de Düsseldorf Straßenbahn y la red de Düsseldorf Stadtbahn, que forman parte de la Verkehrsverbund Rhein-Ruhr. La ciudad es un importante centro de la Deutsche Bahn (DB). Más de 1.000 trenes paran diariamente en Düsseldorf. La Estación Central de Düsseldorf en la plaza Konrad-Adenauer-Platz se encuentra en Düsseldorf-Stadtmitte.
Ulrich Hensel, Düsseldorf, Hans-Vilz-Wg II, C-Print Diasec, 160 cm x 289 cm, 2004 Career and style. While not being formally associated with the Düsseldorf School of Photography the serial character of Ulrich Hensel's images and his similarly methodical approach suggests certain parallels to the school of Bernd and Hilla Becher.
19 de feb. de 2022 · Usually, the Düsseldorf School tag is linked to 5 photographers we will revise in a moment, which are Candida Höfer (1944-), Axel Hütte (1951-), Thomas Struth (1954-) and Andreas Gursky (1955-). Although, we think there are some other interesting influences worth mentioning too like László Moholy-Nagy (1895-1946) from the Bauhaus School ...
The International School of Düsseldorf e.V. ( ISD) is a nonprofit, independent, coeducational day school located in Kaiserswerth, Germany, a historic suburb of Düsseldorf. (A)ISD was founded in 1968 as the American International School of Düsseldorf, an English language school to meet the needs of non-military expatriate families.
Gronert S. The Düsseldorf School of Photography. New York: Aperture, 2009. 320 p. Lange S. Bernd and Hilla Becher: Life and Work. Cambridge; London: The MIT Press, 2006. 248 p. Williams-Wynn C. Images of equivalence: exchange-value in Andreas Gursky’s photographs and production method // Photography & Culture, 2016, № 9 (1), p. 3-24.
