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3 de may. de 2024 · Book review: Edmund Spenser, Selected Letters and Other Papers, Christopher Burlinson and Andrew Zurcher (eds). The Modern Language Review , 105(3) pp. 832–834. Request a copy from the author This file is not available for public download
Hace 5 días · King Lear, George Frederick Bensell. King Lear is a tragedy written by William Shakespeare. It is loosely based on the mythological Leir of Britain. King Lear, in preparation for his old age, divides his power and land between his daughters Goneril and Regan, who pay homage to gain favour, feigning love. The King's third daughter, Cordelia, is ...
Hace 1 día · “Amoretti XXX: My Love is like to ice, and I to fire” first appeared in 1594 in Edmund Spenser’s sonnet sequence, Amoretti.The poem is celebrated for its exploration of love’s paradoxical nature through a conceit – an extended metaphor – that compares the speaker’s burning passion to his beloved’s icy coldness.
22 de abr. de 2024 · Depicting a young man’s departure from England and travels through the continent, this long, semiautobiographical narrative deploys the same stanzas Edmund Spenser had used for The Faerie...
Hace 5 días · Edmund Spenser’s celebrated View of the Present State of Ireland is one product of the loss of the Munster plantation, a loss that Spenser experienced at first hand. And in 1599 a rebellion by the Earl of Tyrone resulted in the death of the English Marshal of Ireland, Sir Henry Bagenal, and the deaths of several thousand of his soldiers.
13 de abr. de 2024 · In the following essay I argue, via the speculations of Frank Kermode on the working of a third temporal order, the aevum, in the poetry of Edmund Spenser, and my own reflections on Ed Roberson, that “deep time” is a fundamentally human concept; indeed, I argue that it is stamped with the very forms of our fictions.
Hace 5 días · The poet Edmund Spenser may consider the beauty of celestial beings to be beyond human expression, but for choral singers the world over, Harris’ Faire is the Heaven (a setting of this poetry) comes extraordinarily close, and Bairstow’s depiction of these same denizens in Let all mortal flesh keep silence is not far behind.
