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  1. Elizabeth es una película dirigida por Shekhar Kapur con Cate Blanchett, Geoffrey Rush, Christopher Eccleston, Joseph Fiennes .... Año: 1998. Título original: Elizabeth.

    • (7)
    • Cate Blanchett
    • Shekhar Kapur
  2. Elisabeth es un musical vienés de lengua alemana encargado por la compañía teatral Vereinigte Bühnen Wien (VBW), con guion y letra de Michael Kunze, y música compuesta por Sylvester Levay. El espectáculo narra la vida y la muerte de Isabel de Baviera , emperatriz consorte de Austria , esposa del emperador Francisco José I de Austria .

  3. › wiki › ElisabethElisabeth - Wiktionary

    • English
    • Danish
    • Dutch
    • German
    • Norwegian
    • Swedish

    Alternative forms

    1. Elizabeth


    The spelling of Elizabeth used in the Authorized Version of the New Testament. Borrowed from Ancient Greek Ἐλισάβετ (Elisábet), a transliteration of the Hebrew Hebrew אלישבע‎ (Elishéva, “my God is an oath”).

    Proper noun

    Elisabeth 1. The mother of John the Baptist according to the Christian and Islamic scriptures 1.1. 1611, The Holy Bible,[…] (King James Version), London: […] Robert Barker,[…], OCLC 964384981, Luke 1:5, column 1: 1.1.1. There was in the dayes of Herode the king of Iudea, a certaine Prieſt, named Zacharias, of the courſe of Abia, and his wife was of the daughters of Aaron, and her name was Elizabeth. 2. A female given name from Hebrew, a less common form of Elizabethin English.

    Proper noun

    Elisabeth 1. Elizabeth (biblical figure) 2. A female given nameof biblical origin.


    1. Danskernes Navne, based on CPR data: 65 803 females with the given name Elisabeth, typically as a second given name, have been registered in Denmark between about 1890 (=the population alive in 1967) and January 2005, with the frequency peak in the 1910s. Accessed on 19 May 2011.

    Alternative forms

    1. Elisabet (rare) 2. Elizabeth


    From Middle Dutch elisabeth, from Latin Elisabeth, from Koine Greek Ἐλισάβετ (Elisábet), from Biblical Hebrew אלישבע‎.


    1. IPA(key): /eːˈli.zaːˌbɛt/ 2. Hyphenation: Eli‧sa‧beth


    1. IPA(key): /ʔeˈliːzabɛt/

    Proper noun

    Elisabeth 1. Elizabeth (biblical character). 2. A female given namefrom Biblical Hebrew

    Proper noun

    Elisabeth 1. A female given name, equivalent to English Elizabeth.


    1. Kristoffer Kruken - Ola Stemshaug: Norsk personnamnleksikon, Det Norske Samlaget, Oslo 1995, →ISBN 2. Statistisk sentralbyrå, Namnestatistikk: 17 572 females with the given name Elisabeth (compared to 917 named Elisabet) living in Norway on January 1st 2011, with the frequency peak in the 1970s. Accessed on April 18th, 2011.

    Proper noun

    Elisabeth c (genitive Elisabeths) 1. A female given name of popular usage, variant of Elisabet.


    1. Roland Otterbjörk: Svenska förnamn, Almqvist & Wiksell 1996, →ISBN 2. Statistiska centralbyrån and Sture Allén, Staffan Wåhlin, Förnamnsboken, Norstedts 1995, →ISBN: 201 328 females with the given name Elisabeth (compared to 151 080 named Elisabet) living in Sweden on December 31st, 2010, with the frequency peak in the 1960s. Accessed on 19 June 2011.

  4. Vida. nació el 16 de febrero de 1989 en Sherman Oaks, California, de Jarnette «Jarnie» Jones y David «Dave» Olsen, una administradora personal, y el otro un desarrollador de bienes raíces y banquero hipotecario. Elizabeth es la hermana menor de las gemelas, Mary-Kate y Ashley Olsen.

    • The Circumstances of Composing Musical
    • Summary
    • Synopsis
    • Principal Characters
    • Story:Act One
    • Story:Act Two
    • Production History
    • Song List
    • CD and DVD Releases
    • as For The Presentations in Japan

    Hungarian Sylvester Levay, who was active as the composer in the United States, secured the Grammy Award, etc., and German Michael Kunze, who was engaged in translation from numerous musicals written in English language to German language, born in Prague, Czech Republic, achieved success as a novelist, jointly started producing this musical, based on the principle of creating a work which had a view of the world that was different from musicals staged at Broadway theatre. Michael Kunze related “I wanted to portray the demise of one era and one Dynasty, and at the same time, to portray the inner, psychological world of those who lived at that last moment.”, as a reason for choosing the legendary Empress as the theme of this musical. And he also stated "Elisabeth, who had a new and modern sensibility, foresaw the decline of the culture of the Royal court in the Habsburg Monarchywhich represented the old era, however, I wanted to portray a drama that was not a nostalgic hobby, but that...

    The musical tells the story of Elisabeth ("Sisi"), the Empress of Austria, from her engagement and marriage in 1854 to her murder in 1898 at the hands of the Italian anarchist Luigi Lucheni, through the lens of her growing obsession with death, as her marriage and her empire crumble around her at the turn of the century. This musical is set in Austria in the late 19th century, at the end of the Habsburg Monarchy, which reigned over Europe for a long time. Coincidentally, Emperor Franz Joseph I of Austria fell in love with Elisabeth at first sight, and she became the most beautiful Empress in the European Court at the age of 16. But she was tormented with friction against the Royal court which valued tradition and formality, and she left Vienna in the course of time, passing her days wandering around Europe where she was assassinated by Luigi Lucheniat the end of her journey. Her life is veiled in mystery, and this musical solves it through the fictional existence of "Death" who obse...

    The show opens in the "world of the dead", where Luigi Lucheni is being interrogated by a Judge as to why he has murdered the Empress Elisabeth. Lucheni claims that he did no more than what Elisabeth herself wanted, since all her life Elisabeth has been in love with Death himself – and vice versa. As his witnesses, Lucheni brings back the dead aristocracy of the bygone era and takes us to the past, where he serves as a sarcastic narrator of the events that lead to the transformation of the sweet and innocent Sisi to the revered and infamous Elisabeth, Empress of Austria and Queen of Hungary, and her decline through later years until her assassination. At a young age, Sisi, grown up in a seemingly sorrowless environment, experiences her first encounter with Death, which launches a love–hate affair that will span her entire life.Lucheni claims that once Franz Joseph, the Emperor of Austria, picks Elisabeth as his bride – for once opposing his domineering mother Sophie – he begins a ch...

    Elisabeth, the Empress of Austria and later Queen of Hungary. Nickname is Sisi. Her birthplace is the Kingdom of Bavaria in Germany.
    Death, the personification of the abstract concept of "Death" or the "Grim Reaper". His appearance is modeled on the poet Heinrich Heine who was fascinated by Elisabeth, and the rock singer David B...
    Luigi Lucheni, an Italiananarchist and Elisabeth's assassin. He plays the role of a plot device in the story.

    The show opens in the world of the dead with Luigi Lucheni, assassin of Empress Elisabeth of Austria, still on trial 100 years after the assassination. The disembodied voice of the judge demands his motive for the assassination to which Lucheni replies "The motive was love.", stating that Death (Der Tod) and Elisabeth were in love. Lucheni calls on Elisabeth's dead family members, who are still wandering in purgatory without freedom, and they explain their relationship with the Empress. (“Prologue (Prolog)”) The show then moves to the beginning of Elisabeth's life. Elisabeth's father, the Duke Maximilian Joseph in Bavaria(Max), is about to travel and is packing his bag. Under his influence, Elisabeth grew up as a free-spirited young women who enjoyed poetry and horseback riding in a countryside. As a result of this Elisabeth begs her father to let her come along with him, and escape having to see her relatives. (“Like You (Wie du)”) Her mother, Princess Ludovika of Bavaria announced...

    The front of St. Stephen's Basilica was flooded with people to celebrate the coronation of Franz Joseph I as the King of Hungary. The Hungarian people cheered to Elisabeth with saying, "Éljen, Elisabeth!" because she supported the establishment of the Austro-Hungarian empire, which granted large-scale autonomy to Hungary. (“Éljen (which is Hungarian for "long live”...) (Éljen)”) Meanwhile, Lucheni opened his trunk in front of the crowd and started an exhibition and spot sale of souvenirs. He picked up a glass drawn the harmonious figures of the King and Queen and a portrait painted the Queen and her son side by side, and "These are Kitsch!", he spat out at the crowd. He also spat out at the crowd, “the Dual monarchyis farce. All figures of Elisabeth, which have been favorably depicted in books or movies for 100 years after her death, are impostors or idols, in fact, she is truly an arrogant egoist.” (“Kitsch (Kitsch)”) She made a large majority in the Viennese Royal court including...

    The world premiere of Elisabeth, directed by Harry Kupfer, took place on September 3, 1992 at the Theater an der Wien in Vienna, Austria, where it ran until January 1997. After a brief hiatus, it reopened on September 4, 1997. The final closing date was on April 25, 1998. In October 2002, a 10th Anniversary miniseries of concerts took place at the Wiener Konzerthaus in Vienna. The Vienna production was revived on October 1, 2003 and ran until December 4, 2005.a Other productions have been mounted in the following countries. Current or upcoming productions are in bold: 1. Japan: The Takarazuka Grand Theatre (The Takarazuka Revue), Hyōgod 1.1. February 16, 1996 - current 2. Japan: The Tokyo Takarazuka Theatre (The Takarazuka Revue), Tokyod 2.1. June 3, 1996 - current 3. Hungary: The Open-Air Theatre of Szeged, Szeged 3.1. August 17, 1996 - September/October 1996 4. Hungary: The Operetta Theatre (Budapesti Operett Színház), Budapestc 4.1. October 5, 1996 - January 2005 4.2. July 2007 -...

    Additional songs have been added for some productions of Elisabeththat are not featured in all productions. Also the order of songs is often switched, which is the most noticeable between the German and the Viennese versions. This song list and order, with titles in English, is based upon the original Vienna production except where noted. Act One: 1. Prologue(Prolog) - Judge, Lucheni, Death 2. Like You(Wie du) - Elisabeth, Max 3. Lovely to Have You All Here- (Schön, euch alle zu seh'n) Ludovika, Hélène, Family 4. No Coming Without Going(Kein Kommen ohne Geh'n) - Death (Hungarian, Japanese, 2012 Vienna productions only (sung by Death and Elisabeth in 2012 Vienna production)) 5. Black Prince (Schwarzer Prinz) - Elisabeth (originally a direct reprise of Like You, rewritten for the Dutch premiere and subsequent productions, cut in 2012 Vienna production) 6. To Each He Gives His Own(Jedem gibt er das Seine) - Sophie, Franz-Joseph, the Court 7. Things Never Happen As Planned(So wie man pl...

    Elisabethhas been known to inspire a collector's mania that does not limit itself solely to audio and visual memorabilia. However, as of November 2007, there have been a total of at least twenty-five cast albums, complete works, demos, and promotional albums/singles, as well as eight commercial DVDs of the show, released to the public. These releases do not include countless other artists' solo albums and special compilations that also feature songs from the musical. Listed here are a few from the more mainstream, or better-known, productions. VIENNA 1992 Elisabeth — original cast recording (Originalaufnahmen aus dem Musical Elisabeth) Elisabeth: Pia Douwes, Der Tod: Uwe Kröger, Luigi Lucheni: Ethan Freeman Producer – Jimmy Bowien Polydor GMBH - 513 792-2 VIENNA 1996 Elisabeth — complete live recording (Live aus dem Theater an der Wien Gesamtaufnahme des Musicals Elisabeth) Elisabeth: Maya Hakvoort, Der Tod: Addo Kruizinga, Luigi Lucheni: Bruno Grassini Polydor GMBH - 531 481-2 1. O...

    In Japan, the director of the Takarazuka Revue, Shūichirō Koike was looking for musicals’ works attracted his interest in collection of musicals’ works at a music store in London in 1992, then the owner of it recommended this musical, "Elisabeth". The following year, Shūichirō Koike also received a German language’s program of "Elisabeth" from a Chinese university professor living in Istanbulwho visited the Revue as a guest. After these circumstances, the Takarazuka Revue acquired the right to perform this musical in Japan, and it introduced this musical to Japan for the first time in 1996. The musical was premiered as the farewell performance of Maki Ichirowho was the top star at that time in the Snow Troupe (Japanese transcription: Yuki-gumi). The reputation of this musical was not very good at the beginning, but gradually it became so popular that tickets was not able to be obtained. Because it was the farewell performance of hers, it was questioned at that time, such as "Why doe...

  5. Elizabeth I, queen of England (1558–1603) during a period, often called the Elizabethan Age, when England asserted itself vigorously as a major European power in politics, commerce, and the arts. Her blend of shrewdness, courage, and majestic self-display inspired loyalty and helped unify the nation.

  6. While Elisabeth was described as "proud, inflexible, and passionate", Clothilde was in contrast estimated to be "endowed with the most happy disposition, which only needed guiding and developing". They were given the usual education of contemporary royal princesses, focusing upon accomplishments, religion and virtue, an education to which Clothilde reportedly willingly subjected herself. [7]

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