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  1. Reception. Ron Wynn of Allmusic wrote "Eliane Elias continues exploring Brazilian music on this latest release, doing both classics such as "The Girl From Ipanema" and a Milton Nasciemento medley, plus several Ivan Lins tunes. She uses alternating bassists and drummers, with Eddie Gomez, Marc Johnson, Jack DeJohnette, and Peter ...

    • Eliane Elias
    • March 1992
    • 1992
  2. Eddie Gómez (Edgardo Gómez, Santurce, de San Juan de Puerto Rico, 4 de octubre de 1944) es un contrabajista estadounidense de jazz. Historial [ editar ] Crecido en New York , cerca de Harlem , estudia contrabajo a partir de 1955, participando varios años en la Newport Festival Youth Band , orquesta de jóvenes bajo la dirección de Marshall ...

    • Continúa en activo
    • Escuela Juilliard, High School of Music & Art
    • Edgardo Gómez
  3. en.wikipedia.org › wiki › Eddie_GómezEddie Gómez - Wikipedia

    Edgar Gómez (born October 4, 1944) is a Puerto Rican jazz double bassist, known for his work with the Bill Evans Trio from 1966 to 1977.

  4. Listen to Fantasía on Spotify. Carlos Franzetti, Eddie Gómez · Song · 2008.

    • 4 min
    • January 01, 2008
  5. Agile bassist -- an accompanist and leader -- who played with numerous esteemed musicians before he spent many years with the Bill Evans Trio. Read Full Biography. STREAM OR BUY: Active. 1950s - 2020s. Born. October 4, 1944 in San Juan, Puerto Rico. Genre. Jazz, Classical. Styles. Post-Bop, Guitar Jazz, Jazz Instrument, Chamber Music.

  6. Realizando una gira por Europa en 1981, conoció al bajista de jazz Eddie Gómez que la animó a viajar a Nueva York, donde estudió con Olegna Fuschi en la Juilliard School of Music. La carrera profesional de Elias consiguió un avance importante cuando fue invitada a unirse al grupo Steps Ahead , formado por Michael Brecker , Peter Erskine ...

  7. Eddie Gómez discography and songs: Music profile for Eddie Gómez, born 4 October 1944. Genres: Jazz, Avant-Garde Jazz, Post-Bop. Albums include If Summer Had Its Ghosts, Intuition, and Montreux III.