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  1. Baroque music. François Couperin (born November 10, 1668, Paris, France—died September 11, 1733, Paris) was a French composer and harpsichordist, the most renowned of the Couperin dynasty of 17th- and 18th-century musicians. He was the nephew of Louis Couperin.

    • The Editors of Encyclopaedia Britannica
  2. François Couperin. (París, 1668-1733) Compositor, clavecinista y organista francés. Conocido por sus contemporáneos como el Grande, François Couperin es el más destacado representante de una dinastía de músicos galos cuyos orígenes se remontan al siglo XVI. Es al mismo tiempo, junto a Jean-Philippe Rameau, el más universal de los ...

  3. high school in Seine-et-Marne, France. This page was last edited on 8 May 2024, at 11:37. All structured data from the main, Property, Lexeme, and EntitySchema namespaces is available under the Creative Commons CC0 License; text in the other namespaces is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply.

  4. François Couperin. Compositor, organista y clavecinista. François Couperin ( París, 10 de noviembre de 1668- ibíd., 11 de septiembre de 1733) fue un compositor, organista y clavecinista francés del Barroco . Es uno de los más importantes compositores, junto con Jean-Philippe Rameau, de la música barroca francesa en general y ...

  5. 27 de jun. de 2018 · François Couperin (1668-1733), called Couperin leGrand, was a French composer, organist, and harpsichordist. His harpsichord and organ works are the touchstones of the 18th-century elegant style. François Couperin was born on Nov. 10, 1668, in Paris.

  6. 18 de jul. de 2022 · Published July 18, 2022. François Couperin, Pièces de clavecin, Troisième livre (1722) with 4 Concerts royaux. Bärenreiter, BA 10846 (2021). 142 pages. Denis Herlin, editor. Good news for anyone who loves the music of François Couperin, the French Baroque, or early music in general. The third installment (Book III) of Denis Herlin’s ...

  7. The 18th-century French composer François Couperin lavished as much colour and character on his work as any artist of his era, says Kate Bolton-Porciatti