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Frank Borzage (/ b ɔːr ˈ z eɪ ɡ i /; April 23, 1894 – June 19, 1962) was an Academy Award-winning American movie director and actor. He was known for directing 7th Heaven (1927), Street Angel (1928), Bad Girl (1931), A Farewell to Arms (1932), Man's Castle (1933), History Is Made at Night (1937), The Mortal Storm (1940) and Moonrise (1948).
Frank Borzage died of cancer in 1962, aged 68. From Wikipedia, the free encyclopedia. Frank Borzage (April 23, 1894 – June 19, 1962) was an Academy Award-winning American film director and actor, known for directing 7th Heaven (1927), Street Angel (1928), Bad Girl (1931), A Farewell to Arms (1932), Man's Castle (1933), History Is Made at ...
Frank Borzage nació en Salt Lake City, Utah, el 23 de abril de 1893. Su madre era de origen suizo-alemán y su padre era italiano. Frank inició sus estudios primarios pero los abandonaría pronto, y con tan sólo 12 años comenzó a trabajar en la mina de Silver King. A partir de ese momento Frank trabajará en distintos gremios hasta que en ...
9 de feb. de 2024 · Language. Label. Description. Also known as. English. Frank Borzage. American film director and actor (1894-1962)
Frank Borzage. Frank Borzage [bɔːrˈzeɪɡi] ( 23. huhtikuuta 1894 Salt Lake City, Utah, Yhdysvallat – 19. kesäkuuta 1962 Los Angeles Kalifornia, Yhdysvallat) oli yhdysvaltalainen elokuvaohjaaja, joka tuli tunnetuksi rakkausaiheisista elokuvista. Hänen tunnetuimpia ohjauksiaan ovat Seitsemännessä taivaassa (1927), Bad Girl (1931) ja ...
19 de abr. de 2024 · Frank Borzage (born April 23, 1893, Salt Lake City, Utah, U.S.—died June 19, 1962, Los Angeles, California) was an American motion-picture director and producer noted for his romantic transcendentalism and technically impeccable filmmaking. (Read Martin Scorsese’s Britannica essay on film preservation.) He was the son of a master stonemason.
O f the films that Frank Borzage made during the sound era, few match the intense lyricism and biting emotional power of Man's Castle.It is a classic Borzage tale of love triumphing over adversity and human frailty, and the director handles the subject with a delicacy and warmth that is surpassed only by his great silent masterpieces.
