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Frank Rudolph Paul (German:; born Rudolph Franz Paul; April 18, 1884 – June 29, 1963) was an American illustrator of pulp magazines in the science fiction field. A discovery of editor Hugo Gernsback, Paul was influential in defining the look of both cover art and interior illustrations in the nascent science fiction pulps of the 1920s.
- Architecture
- Rudolph Franz Paul, April 18, 1884, Radkersburg, Austria-Hungary
- American
- June 29, 1963 (aged 79), Teaneck, New Jersey, U.S.
18 de abr. de 2022 · Frank R. Paul murió a los setenta y nueve años en la localidad de Teanek, Nueva Jersey. Su legado en la ciencia ficción, sin embargo, perdurará para siempre. Su fértil imaginación para crear bizarros alienígenas, ingenios y vehículos fantásticos cuando muchos norteamericanos ni siquiera disfrutaban de luz eléctrica en sus ...
Y ahora se ha propuesto un nuevo candidato para el inventor de los platillos voladores: el artista de ciencia ficción Frank R. Paul, cuya portada de revista de 1929 que muestra un disco volador que arrastra el edificio Woolworth al espacio exterior fue el tema de mi último post.
4 de ago. de 2013 · Junto a Virgil Finlay y Johannes Hook, Frank R. Paul ha sido considerado como uno de los los más célebres ilustradores de la edad de oro de la ciencia ficción y sus obras reflejan de manera inimitable los ideales y la imaginación de los lectores de aquellos tiempos.
Frank Rudolph Paul ( German: [ paʊl]; born Rudolph Franz Paul; April 18, 1884 – June 29, 1963) was an American illustrator of pulp magazines in the science fiction field. Quick Facts Born, Died ... Close. Paul's cover for Amazing Stories, August 1927, illustrating The War of the Worlds.
Frank R. Paul is considered the “Father of Science Fiction Illustrators” and contributed to the success of the first published magazine devoted entirely to science fiction: Amazing Stories. His cover illustrations were the epitome of 1920s and 1930s pulp magazine art and defined the look of “the future.”
(1884-1963) American artist, born in Austria. He studied art in Vienna and Paris before moving to London to obtain additional training in architecture, which later became one of his professions, as he designed several buildings in New York City while also earning money by illustrating textbooks.
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