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Finalists of the Ivan Sutton Chamber Music Competition as they perform complete chamber music works with piano. Events coming up at Guildhall, from classical and jazz concerts to fully staged productions created by our Opera, Drama and Production Arts departments.
We will accept these qualifications for entry to undergraduate programmes at Guildhall School with a pass, unless otherwise specified. Please see the programme page for BA Performance Design for details of the subject requirements. If your country or qualification is not listed below, please contact the Admissions team via the Registry email ...
First round auditions. Applicants are asked to prepare and learn two contrasting monologues. Monologues should be taken from published plays; they may come from different eras but this is not a requirement. Please note: unlike in previous audition years, applicants are no longer required to prepare a speech written by Shakespeare (or a Jacobean ...
Research at Guildhall School explores fundamental questions about the creative arts. It embraces a wide range of disciplines within music and drama including composition, performance, pedagogy, institution studies, historical musicology, music and literature studies, cultural history, electronic music, creative writing and music therapy.
About this programme. The Post-Graduate Certificate (PGCert) in Performance Teaching is a Masters-level course designed to support professional musicians, actors, production artists and dancers who teach as part of their practice, either as their main employment or as part of a portfolio career. It offers a unique opportunity to develop ...
Launching on 27 January 2024, our Drama Course for ages 10–18, will develop and teach acting skills through fun weekly classes on Saturday mornings during term time. Explore our Drama offer at Guildhall to find a course or programme at Guildhall for you, from undergraduate or doctoral study to short courses, summer schools and under 18s study.
Guildhall offers some of the most stimulating and creative training for composers available in the UK. Our guiding principle is that composers should develop in collaboration with technically-proficient, sympathetic instrumentalists under the expert guidance of experienced practitioners.
