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Hace 4 días · The House of Wittelsbach (German: Haus Wittelsbach) is a former Bavarian dynasty, with branches that have ruled over territories including the Electorate of Bavaria, the Electoral Palatinate, the Electorate of Cologne, Holland, Zeeland, Sweden (with Swedish-ruled Finland), Denmark, Norway, Hungary, Bohemia, and Greece.
- 11th century
- Ludwig III
1 de may. de 2024 · The House of Hohenzollern (/ ˌ h oʊ ə n ˈ z ɒ l ər n /, US also /-n ˈ z ɔː l-,-n t ˈ s ɔː l-/; German: Haus Hohenzollern, pronounced [ˌhaʊs hoːənˈtsɔlɐn] ⓘ; Romanian: Casa de Hohenzollern) is a formerly royal (and from 1871 to 1918, imperial) German dynasty whose members were variously princes, electors, kings and emperors ...
- Before 1061
Hace 5 días · The House of Oldenburg is an ancient dynasty of German origin whose members rule or have ruled in Denmark, Iceland, Greece, Norway, Russia, Sweden, the United Kingdom, Livonia, Schleswig, Holstein, and Oldenburg.
- Friedrich Ferdinand, Prince of Schleswig-Holstein
- (adoptive:)Bernadotte
- 1101; 922 years ago
- Elimar I, Count of Oldenburg
1 de may. de 2024 · House of Wittelsbach. Rupert (born May 5, 1352, Amberg, Rhenish Palatinate [Germany]—died May 18, 1410, near Oppenheim, Rhenish Palatinate) was a German king from 1400 and, as Rupert III, elector Palatine of the Rhine from 1398.
- The Editors of Encyclopaedia Britannica
13 de abr. de 2024 · Born: April 17, 1573, Munich, Bavaria [Germany] Died: Sept. 27, 1651, Ingolstadt, Bavaria (aged 78) House / Dynasty: House of Wittelsbach. Role In: Battle of White Mountain. Thirty Years’ War.
22 de abr. de 2024 · His father, Prince Leopold, could trace his lineage through the royal house of Wittelsbach to Ludwig, who became Count of Loewenstein in 1494. His mother was a daughter of the Count of Treuberg, and her family's connections could be traced throughout the Almanach de Gotha.
25 de abr. de 2024 · museum of modern art, an institution devoted to the collection, display, interpretation, and preservation of “avant-garde” or “progressive” art of the late 19th, 20th, and 21st centuries. (Read Glenn Lowry’s Britannica essay on “Art Museums & Their Digital Future.”)
