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Hugh (c. 1074 – c. 1125) was the Count of Champagne from 1093 until his death. Hugh was the third son of Theobald III, Count of Blois and Adele of Valois, bearing the title Count of Bar-sur-Aube. His older brother Odo IV, Count of Troyes, died in 1093, leaving him master of Troyes, where he centred his court, Bar-sur-Aube and Vitry ...
The Count of Champagne was the ruler of the County of Champagne from 950 to 1316. Champagne evolved from the County of Troyes in the late eleventh century and Hugh I was the first to officially use the title count of Champagne. Count Theobald IV of Champagne inherited the Kingdom of Navarre in 1234.
29 de may. de 2023 · Hugh (c. 1074–1125) was the Count of Champagne from 1093 until his death. When Hugh became a Knight Templar himself in 1124, the Order comprised few more than a dozen knights, and the first Grand Master of the Templars was a vassal of his, Hugues de Payens, who had been with him at Jerusalem in 1104.
- Grand Est
- Grand Est, France
- circa 1074
- 1125 (46-56)
Count Hugh of Champagne himself joined the Knights Templar on his third visit to the Holy Land in 1125. As Grand Master, Hugues de Payens led the Order for almost twenty years until his death, helping to establish the Order's foundations as an important and influential military and financial institution.
- Order established
- 24 May 1136 (aged 66), Kingdom of Jerusalem
- 9 February 1070, Troyes, France
- Robert de Craon
Though he preferred the title Count of Troyes, the oldest of his lordships and site of the only bishopric in his domains, many contemporary documents call him the count of Champagne, the title preferred by his descendants. In 1093 Hugues married Constance of France, Dame d'Attigny, daughter of King Philip I of France and Queen Berthe of Holland.
Hugh ( c. 1074 – c. 1125) was the Count of Champagne from 1093 until his death. Seal. Hugh was the third son of Theobald III, Count of Blois and Adele of Valois, bearing the title Count of Bar-sur-Aube.
1 de jun. de 2012 · The Vanault documentary records admittedly represent Hugh of Montfélix very differently from Count Hugh of Champagne. Gorze’s cartulary depicts the former’s castle-building as the product of sheer intimidation, while St Paul’s presents Count Hugh as suspending a comital prerogative.
