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Impressionism är en konstriktning inom måleriet som uppstod i Frankrike under andra hälften av 1800-talet och som 1900 dominerade den europeiska målarkonsten. [ 1] Det är främst två ting som karakteriserar impressionismen: Målningstekniken är ofta skissartad med kraftig penselföring. Målarna använder grova synliga penseldrag eller ...
Claude Monet. Oscar-Claude Monet ( UK: / ˈmɒneɪ /, US: / moʊˈneɪ, məˈ -/, French: [klod mɔnɛ]; 14 November 1840 – 5 December 1926) was a French painter and founder of impressionist painting who is seen as a key precursor to modernism, especially in his attempts to paint nature as he perceived it. [1] During his long career, he was ...
American Impressionism. Frank W. Benson, Eleanor Holding a Shell, North Haven, Maine, 1902, private collection. American Impressionism was a style of painting related to European Impressionism and practiced by American artists in the United States from the mid-nineteenth century through the beginning of the twentieth. [1]
Decorative Impressionism is an art historical term that is credited to the art writer Christian Brinton, who first used it in 1911 [where?]. Brinton titled an article on the American expatriate painter Frederick Carl Frieseke, one of the members of the famous Giverny Colony of American Impressionists, "The Decorative Impressionist."
Impressionism. Impressionism which began as a private association of Paris -based artists who exhibited publicly in 1874. The movement was named after Claude Monet 's Impression, Sunrise (Impression, soleil levant) ( 1872 / 1873 ); the term being coined by critic Louis Leroy. Impressionism is also a movement in music and a literary tendency .
Particularly significant was the British Impressionist movement of the late-nineteenth century. James Abbott McNeill Whistler, an American expatriate in London, pioneered a loose, liquid style of painting which, in his famous Nocturne series, brilliantly conveyed the gloom and glamor of nightfall on the River Thames.
La sensación fugaz, efímera, difícilmente perceptible y reproducible. Los pintores impresionistas abandonaron los talleres y salieron al exterior. Sus modelos fueron la calle, el edificio, el paisaje, la persona, el hecho pero no en su concepción estática y permanente sino percibidos en ese momento casi único.
