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Va néixer el 2 d'octubre de 1470 a la ciutat de Nàpols sent la segona filla del rei Alfons II de Nàpols i Ippòlita Maria Sforza. Fou neta per línia paterna de Ferran I de Nàpols i Isabel de Chiaramonte, i per línia materna de Francesc I Sforza i Blanca Maria Visconti. Fou germana, així mateix, de Ferran II de Nàpols.
Lluís Maria s'apoderà del govern de la ciutat de Milà durant la minoria d'edat d'aquest i la regència de la seva mare Bonna de Savoia. A força d'embolics caigué en desgràcia; fou acusat de culpes, tal vegada inexistents, condemnat a mort i decapitat ( 1480 ). A la mort de Joan Galeàs, ocorreguda l'octubre de 1494, Lluís Maria assolí ...
Ippolita Maria Sforza. Ippolita Maria Sforza (18 April 1445 – 20 August 1488) was an Italian noblewoman, a member of the Sforza family which ruled the Duchy of Milan from 1450 until 1535. She was the first wife of the Duke of Calabria, who later reigned as King Alfonso II of Naples. Read more on Wikipedia.
Lluís Maria Sforza, Galeàs Maria Sforza i Ippòlita Maria Sforza. Ascani Maria Sforza (Cremona, 3 de març de 1455 – Roma, 28 de maig de 1505) fou cardenal de l'església catòlica pel papa Sixte IV. Era germà de Lluís Maria Sforza i pertanyia a la dinastia governant de Milà dels Sforza. Se'l coneix per ser molt bo en l'àmbit polític.
Ippolita Maria Sforza, a cultured young noblewoman who wrote poetry, letters and documents in Latin, was born on this day in 1446 in Cremona. She was married to Alfonso, Duke of Calabria, who later became King Alfonso II of Naples, because it was a politically advantageous alliance, but she did not live long enough to become his Queen consort.
Ippolita Maria Sforza was the daughter of Duke Francesco Sforza of Milan and Bianca Maria Visconti. Her father employed a number of scholars to provide his children with the finest of classical educations, which included Greek, Latin, rhetoric, and the arts. In 1454, Francesco added the humanist poet Antonio Cornazano to his household staff ...
This portrait painting of Ippolita Maria Sforza was created in the year of her death, 1488. This mistake could only have been made, because the art historians have not only no knowledge about the specific symbols (or emblems) of the high dynasties of the Renaissance, but also do not know that (almost) all women of all times like to copy the ...
