Resultado de búsqueda
8 de mar. de 2018 · Un personaje que encarnó el Renacimiento en todas sus facetas, y una de las mujeres más influyentes de su tiempo. Ha sido definida como “liberal y magnánima” por el poeta Ariosto, “suprema entre las mujeres” según el autor Matteo Bandello, e incluso «La Primera Dama del mundo» para el diplomático Niccolò da Correggio.
Retrato de Isabel de Este (Ritratto di Isabella d'Este) Año: 1500: Autor: Leonardo da Vinci: Técnica: Tiza negra, sanguina y pastel amarillo sobre papel: Estilo: Renacimiento: Tamaño: 63 cm × 46 cm: Localización: Museo del Louvre, París, Francia
- Leonardo da Vinci
- Tiza negra, sanguina y pastel amarillo sobre papel
- Renacimiento
- 1500
Ercole I d'Este. Mother. Eleanor of Naples. Isabella d'Este (19 May 1474 – 13 February 1539) was the Marchioness of Mantua and one of the leading women of the Italian Renaissance as a major cultural and political figure. She was a patron of the arts as well as a leader of fashion and her innovative style of dressing was emulated by many women.
- 12 February 1492 - 29 March 1519
25 de jun. de 2021 · Isabella d’Este (l. 1474-1539), was the leading lady of Renaissance Italy who funded the works of such renowned artists as Leonardo da Vinci and Michelangelo.
16 de may. de 2019 · Isabella d'Este (May 19, 1474–February 13, 1539) was a patron of Renaissance learning, arts, and literature. She was actively involved in political intrigues among the nobles of Europe. Isabella left behind a voluminous correspondence of more than 2,000 letters, which provide much insight into the world of the Italian Renaissance.
- Jone Johnson Lewis
Isabella d’Este was among the most celebrated women of her time. She was a fashion trend setter, a potent political force, and an avid art collector. The daughter of Duke Ercole I d’Este of Ferrara, she was raised at one of the most cultured Italian courts of the fifteenth century.
6 de dic. de 2023 · While often identified as the most significant female collector of the renaissance, Isabella d’Este is notable among all early modern patrons, both male and female, due to the variety of her collections, which span a broad range of materials, iconographic sources, and historical periods.
