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Hace 5 días · Jacob was born in Haarlem into an artistic milieu. His father Isaack was a frame-maker, art dealer and a talented but little-known painter. His uncle Salomon was a prominent Haarlem artist, particularly known for his river landscapes. Salomon and Isaack signed with Ruysdael, while later Jacob used a slightly differently spelling, Ruisdael.
Jacob Isaacksz. van Ruisdael. The Haarlem-born painter Jacob van Ruisdael (ca. 1628-1682) began to paint at an early age. His first work dates from 1646. Ruisdael probably had lessons from his father, but his uncle, the artist Salomon van Ruysdael, must also have been a great influence on the young painter. As well as being a painter, Ruisdael ...
Haarlem, 1628/1629 - Amsterdam, 1682. Imprimir ficha. Pintor, artista gráfico y dibujante, Jacob Isaacksz. van Ruisdael se formó en el entorno familiar con su padre Isaack, que ejerció de pintor y fabricante de marcos, y con su tío el paisajista Salomon van Ruysdael. Fue un artista precoz, sus primeras obras están fechadas en 1646, cuando ...
Jacob van Ruisdael’s earliest works, dated 1646, were made when he was only seventeen or eighteen. He entered the Haarlem Saint Luke’s Guild in 1648. It is not known who his early teachers were, but he probably learned painting from his father and from his uncle, Salomon van Ruysdael. Some of the dunescapes that he produced during the late ...
1 de ene. de 2001 · Jacob van Ruisdael is the preeminent Dutch landscape painter of the seventeenth century, renowned for the wealth of closely observed naturalistic detail in his works. This beautiful book, written by one of the most distinguished scholars of Dutch art, is a catalogue raisonne of Ruisdael's landscapes: almost 700 paintings, more than 130 drawings, and 13 rare etchings.
Nacido en Haarlem, Jacob o Jakob Izaakszoon van Ruysdael, fue un importante paisajista del siglo XVII. Procedía de una familia de pintores de paisajes, entre ellos su padre Isaak van Ruysdael (Isaak de Goyer) y su sobrino Salomon van Ruysdael (1602-1670). Él fue influenciado también por otro paisajista de Haarlem, Cornelis Hendriksz Vroom (1591 – 1661) y podría haber estudiado con ...
In 1912, Hofstede de Groot attributed it to Gerrit van Hees (ca. 1625–1670); Stechow, in 1938, more plausibly proposed Van Ruisdael's cousin Jacob Salomonsz van Ruysdael (1629/30–1681). When the panel was owned by Nathaniel Thayer in Boston, it was considered to be by Hobbema (1638–1709) on the basis of a false signature.
