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Jacques-Louis David was a French painter in the Neoclassical style, considered to be the preeminent painter of the era. In the 1780s his cerebral brand of history painting marked a change in taste away from Rococo frivolity toward classical austerity and severity and heightened feeling, harmonizing with the moral climate of the final years of the Ancien Régime.
Jacques-Louis David. Autoportrét Jacquese-Louise Davida, 1794, muzeum Louvre, Paříž, Francie. Některá data mohou pocházet z datové položky. Jacques-Louis David ( 30. srpna 1748, Paříž – 29. prosince 1825, Brusel) byl francouzský neoklasicistní malíř. David se později stal aktivním podporovatelem francouzské revoluce a ...
Jacques-Louis David est un peintre et conventionnel français né le 30 août 1748 à Paris et mort le 29 décembre 1825 à Bruxelles. Il est considéré comme le chef de file du mouvement néo-classique , dont il représente le style pictural .
Die Krönung von Napoleon (Le Sacre de Napoléon), 1805–1807, Louvre, Paris. Jacques-Louis David (* 30. August 1748 in Paris; † 29. Dezember 1825 in Brüssel) war ein französischer Historienmaler des Klassizismus .
The art of Jacques Louis David embodies the style known as Neoclassicism, which flourished in France during the late eighteenth and early nineteenth centuries.David championed a style of rigorous contours, sculpted forms, and polished surfaces; history paintings, such as his Lictors Bringing Brutus the Bodies of His Sons (Musée du Louvre, Paris) of 1789, were intended as moral exemplars.
Jacques-Louis David (Parigi, 30 agosto 1748 – Bruxelles, 29 dicembre 1825) è stato un pittore e politico francese. L’artista David rappresenta la prima fase del Neoclassicismo , quella detta “pre – rivoluzionaria e rivoluzionaria”.
Jacques-Louis David was a French painter in the Neoclassical style, considered to be the preeminent painter of the era. In the 1780s his cerebral brand of history painting marked a change in taste away from Rococo frivolity toward classical austerity and severity and heightened feeling, harmonizing with the moral climate of the final years of the Ancien Régime.
