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John Malcolm Stahl (nacido como Jacob Morris Strelitsky; Bakú, Imperio ruso, act. Azerbaiyán, 21 de enero de 1886 - Hollywood, 12 de enero de 1950) fue un director y productor de cine estadounidense que destacó como realizador de melodramas.
John Malcolm Stahl (January 21, 1886 – January 12, 1950) was an American film director and producer. He is best known for his films such as Leave Her to Heaven (1945), Imitation of Life (1934), The Keys of the Kingdom (1945), and Back Street (1932). Life and work. Stahl in 1922.
- American
- Jacob Morris Strelitsky, January 21, 1886, Baku, Azerbaijan
- John Malcolm Stahl
- January 12, 1950 (aged 63), Hollywood, California, U.S.
John Malcolm Stahl (nacido como Jacob Morris Strelitsky; Bakú, Imperio ruso, act. Azerbaiyán, 21 de enero de 1886 - Hollywood, 12 de enero de 1950) fue un director y productor de cine estadounidense que destacó como realizador de melodramas.
8 de may. de 2024 · John M. Stahl (born January 21, 1886, New York City, New York, U.S.—died January 12, 1950, Los Angeles, California) was an American filmmaker who was considered one of the preeminent directors of so-called “women’s pictures,” melodramas that were aimed at female moviegoers.
John M. Stahl. Director: Leave Her to Heaven. John Stahl was the final executive in charge of Tiffany Pictures (located on the Talisman lot, later owned by Monogram Pictures), once a big fish in the pond of "Poverty Row", which in those days also included Columbia Pictures.
- January 1, 1
- Baki City District, Azerbaijan
- January 1, 1
- Hollywood, Los Angeles, California, USA
John Malcolm Stahl (January 21, 1886 – January 12, 1950) was an American film director and producer. Born in New York City, New York, he began working in the city's growing motion picture industry at a young age and directed his first silent film short in 1914.
17 de dic. de 2018 · Best known for his 1930s women’s pictures made at Universal ( Imitation of Life, Magnificent Obsession) and his Technicolor noir Leave Her to Heaven (1945), Stahl was a major filmmaker in the silent era, but until recently it was assumed that his pre-sound films were nearly all lost or unavailable.
